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198/<br />
Liz<br />
Harrison (UK)<br />
curator Ottica TV<br />
co-curators Paul Malone<br />
_<br />
Liz Harrison was born in Coventry, UK and studied at Manchester College of Art<br />
& Design and the Slade School of Fine Art, London. She has taught extensively<br />
at art colleges across the UK and until recently as Senior Lecturer in Fine Art at<br />
Camberwell College of Arts, University of the Arts, London. She now practices fulltime<br />
and lives and works in London. Her practice is interdisciplinary and focuses on<br />
sculptural and lens based installation.<br />
www.a2arts.co.uk/harrison<br />
><br />
Fret, 2010<br />
DVD, 6’50’’<br />
FOT. L. Harrison<br />
SELECTED EXHIBITIONS:<br />
2010 Why birds sing up, Renewal Award, Deptford X Festival, UK (group) /<br />
High Five, Croydon, UK (group) / 2009 Perch, Five Years, London, UK (solo) /<br />
There and Everywhere, Transition Gallery, London, UK (group) /<br />
Interrupted Correspondence/Vice Versa: Five Years Fragments, James Taylor Gallery,<br />
London, UK (group) / 2008 Curated Concrete Dreams art, architecture and social<br />
space, APT Gallery, London, UK (group) / Dialogue, Art First, Cork St, London,<br />
UK (group) / 2007 Isobar, Fieldgate Gallery, London, UK (group) /<br />
Bounty, A Preposterous case for Optimism, APT Gallery, London, UK (group) /<br />
Assembly, l’Academie Royale des Beaux-Arts de Bruxelles, Brussels, BE (group)<br />
Fret<br />
A wall constantly in motion, shrouding, creeping, ominous<br />
in its fretful, secretive presence. The wall encroaches and hides,<br />
threatens and is unpredictable. It has no edges and knows<br />
no boundaries. It is as a veil, tantalising and provoking curiosity.<br />
A grey wet film creating its own foreigness and negating its locality,<br />
transforming and subduing the visual and the audible – subsumed<br />
in its stillness, perhaps from another land, over there.<br />
Liz Harrison