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198/<br />

Liz<br />

Harrison (UK)<br />

curator Ottica TV<br />

co-curators Paul Malone<br />

_<br />

Liz Harrison was born in Coventry, UK and studied at Manchester College of Art<br />

& Design and the Slade School of Fine Art, London. She has taught extensively<br />

at art colleges across the UK and until recently as Senior Lecturer in Fine Art at<br />

Camberwell College of Arts, University of the Arts, London. She now practices fulltime<br />

and lives and works in London. Her practice is interdisciplinary and focuses on<br />

sculptural and lens based installation.<br />

www.a2arts.co.uk/harrison<br />

><br />

Fret, 2010<br />

DVD, 6’50’’<br />

FOT. L. Harrison<br />

SELECTED EXHIBITIONS:<br />

2010 Why birds sing up, Renewal Award, Deptford X Festival, UK (group) /<br />

High Five, Croydon, UK (group) / 2009 Perch, Five Years, London, UK (solo) /<br />

There and Everywhere, Transition Gallery, London, UK (group) /<br />

Interrupted Correspondence/Vice Versa: Five Years Fragments, James Taylor Gallery,<br />

London, UK (group) / 2008 Curated Concrete Dreams art, architecture and social<br />

space, APT Gallery, London, UK (group) / Dialogue, Art First, Cork St, London,<br />

UK (group) / 2007 Isobar, Fieldgate Gallery, London, UK (group) /<br />

Bounty, A Preposterous case for Optimism, APT Gallery, London, UK (group) /<br />

Assembly, l’Academie Royale des Beaux-Arts de Bruxelles, Brussels, BE (group)<br />

Fret<br />

A wall constantly in motion, shrouding, creeping, ominous<br />

in its fretful, secretive presence. The wall encroaches and hides,<br />

threatens and is unpredictable. It has no edges and knows<br />

no boundaries. It is as a veil, tantalising and provoking curiosity.<br />

A grey wet film creating its own foreigness and negating its locality,<br />

transforming and subduing the visual and the audible – subsumed<br />

in its stillness, perhaps from another land, over there.<br />

Liz Harrison

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