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218/<br />
Rae (UK)<br />
curator Ottica TV<br />
co-curators Paul Malone<br />
_<br />
Nicola<br />
Nicola Rae was born in 1961, Keston, Kent. She studied BA Fine Art at Canterbury<br />
College of Art (1980-83), an MA: Art & Design in Education at the Institute<br />
of Education, London (2006-8) and is currently studying for an MA in<br />
Contemporary Art Theory at Goldsmiths, University of London (2009-11).<br />
She lives on the Greenwich Peninsula in London and her art practice has been<br />
based within a community of forty artists at Art in Perpetuity Trust Studios,<br />
Deptford from 1995 onwards. She regularly exhibits work in Britain, Germany,<br />
Italy and Holland and has more recently become involved in co-curating<br />
exhibitions. She is exhibits and curates with artist groups DériveLab Collective,<br />
Ottica TV, A2Arts, and APT.<br />
Current teaching includes being an associate lecturer in Fine Art Critical<br />
Practice at Wimbledon College of Art, University of the Arts London<br />
(where she is also a researcher).<br />
www.a2arts.co.uk/nrae<br />
SELECTED EXHIBITIONS:<br />
2010 SOUNDCITY: Action Field Kodra 10, Thessaloniki, GR / DériveLab: project 2,<br />
Centre for Creative Collaboration, Acton St, London, UK / 2009 Culture Kiosk /<br />
Souvenir Art’ Markers 7: a Collateral Event in the 53rd Venice Biennale 2009<br />
(within Detournement), organised by The International Artists Museum<br />
and Projective/Artura, and showing at the Scalamata Gallery, Venice, IT /<br />
Undercurrent, Stone Squid Experimental Art Space, Hastings, UK (solo) /<br />
Anastrophic Monday, International Streaming Festival The Hague, NL /<br />
2008 Earth Frequencies, Patrick Heide Contemporary Art, 11 Church St, London,<br />
UK (solo) / Perpetuum Mobile, APT Gallery, 6 Creekside, Deptford, London,<br />
UK (solo) / 2007 wandobjecte mit sand Marz Galerien, Mannheim, DE (solo) /<br />
2005 Personal Structures, Ludwig Museum, Koblenz, DE /<br />
2004 Earth in a Box II, Reuterweg 49, Frankfurt am Main, DE (solo) /<br />
2003 Erdschichtungen, Gallerie Lausberg, Dusseldor, DE (solo)<br />
In Night Frequencies: Deptford Creek 20-08-10 sonic frequencies were filmed<br />
responding live to situated sounds on a Friday night in Deptford, SE London.<br />
Trains, police sirens, airplanes and wind in the reeds are visualized as sonic<br />
frequencies passing across selected spatial structures.<br />
The camera and projector were sited within the yard at APT Studios, beside<br />
Deptford Creek. Deptford is a place where artists, designers, experimental<br />
musicians, and film makers choose to work – within the lively multi-cultural<br />
community living there. The sonic frequencies were projected onto a nearby<br />
metal structure of an X, part of our studio’s 19th century industrial structure.<br />
The shadow of the X falls onto the London Docklands Light railway and<br />
a new eleven storey hotel being built opposite in more affluent Greenwich<br />
– this is one of many expensive developments in London to cater for the<br />
2012 Olympics. The creek forms the border between these two communities,<br />
although the soundscape is common to both.<br />
Nicola Rae