Dissertação completa - Programa de Pós-Graduação em Letras - UEM

ABSTRACTThe Portuguese poet Joaquim José Cesário Verde (1855-1886) was an artist whoshowed his historical moment through his poetry, a rich sensitivity that can be studiedfrom a decadent Romanticism to Realism ironic one, joining a note of pessimism arisingout of your skepticism. His work also involves morbidity of Naturalism, presentingcharacteristics of Impressionism and anticipation of Surrealism. His poetry takes manyforms and shades, features that include among the Parnassian, the Symbolists and theprecursors of Modernism, factors that prevent classify his poetry to a singlecategorization. The poetry practiced by Cesário Verde takes the reader to take on theactually a more free and unimpeded, able to understand it in its novelty, the resultinginterest in the everyday not limited to the city, but the reality facing country, whichshares land with a civilization. The theme of the countryside and the city is on theproposal for an obvious trail to the camp, looking beyond a healthy life, strength to live.The work of Cesário Verde has been studied in the aspects of the real poeticization; thedichotomy town / country, the presence of women, the importance of representation ofeveryday life in the poetry of Cesário Verde, highlighting its language and style. Ourproposal, however, seeks to identify the relationship between rural-urban, establishing aparallel with the Impressionist aesthetic, literary correspondent of "live painting"advocated by Manet, Degas, among others. Among the highlight Impressionist CamillePissarro (1830-1903), French artist considered the "painter of the earth," whichdescribes throughout his career, plowed fields and countryside, sleepy villages andbustling cities too, identifying with the proposal poetic of Cesário Verde. The researchis anchored in the theoretical assumptions of comparative literature, gender and lyricalreading of the image. We discussed the ideas of Carvalhal, Coutinho and Nitrini; Aguiare Silva, Bosi and Judice, Jolly and Rufach, Pena and Toá. The results were obtainedfrom the Comparative Literature with the poetic work of Cesário Verde and CamillePissarro's canvases which confirm the possibility of reading.Keywords: Cesário Verde, Poetry, Painting, Camille Pissarro, City and Field.