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Untitled - Centrostudirpinia.it

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780 SUMMEE AND WINTEE.<br />

(p. 273), Fricg (p. 304), and other de<strong>it</strong>ies besides, whose car or<br />

ship an exulting people goes forth to meet, as they do the waggon<br />

of May, who, over and above mere personification, has from of old<br />

his ere and strdze (p. 670 n.) : in heathen times he must have had<br />

an actual worship of his own. All these gods and goddesses<br />

appeared at their appointed times in the year, bestowing their<br />

several boons ; deified Summer or May can fairly claim ident<strong>it</strong>y<br />

w<strong>it</strong>h one of the highest divin<strong>it</strong>ies to whom the gift of fertil<strong>it</strong>y<br />

belonged, w<strong>it</strong>h .Fro, Wuotan, Nerthus. But if we adm<strong>it</strong> goddesses,<br />

then, in add<strong>it</strong>ion to Nerthus, Osfara has the strongest claim to<br />

consideration. To what was said on p. 290 I can add some signi<br />

ficant facts. The heathen Easter had much in common w<strong>it</strong>h the<br />

May-feast and the reception of spring, particularly in the matter<br />

of bonfires. Then, through long ages there seem to have lingered<br />

among the people Easter-games so-called, which the church <strong>it</strong>self<br />

had to tolerate : I allude especially to the custom of Easter eggs,<br />

and to the Easter tale which preachers told from the pulp<strong>it</strong> for<br />

the people s amusement, connecting<br />

<strong>it</strong> w<strong>it</strong>h Christian reminis<br />

cences. In the MHG. poets, mines herzen osterspil, ostertac,<br />

my heart s Easter play or day, is a complimentary phrase for lady<br />

love, expressing the height of bliss (MS. 2, 52 b . 37 b . Iw. 8120.<br />

Frib. Trist. 804) ; Conr. Troj. 19802 makes the osterlichen tac<br />

m<strong>it</strong> lebender wunne spiln out of the fair one s eye. Later still,<br />

there were dramatic shows named osterspile, Wackern. Ib. 1014,<br />

30. One of the strongest proofs is the summer and dance song<br />

of lord Goeli, MS. 2, 57 a<br />

(Haupt s Neidh. xxv)<br />

when ea and eyot are grown green, Fridebolt and his companions<br />

enter w<strong>it</strong>h long swords, and offer to play the osterspil, which<br />

: at the season<br />

seems to have been a sword-dance for twelve performers, one<br />

of whom apparently was leader, and represented Summer beating<br />

Winter out of the land :<br />

Fridebolt setze uf den huot F., put on thy hat,<br />

wolgefriunt, und gang ez vor, well backed, and go before,<br />

bint daz ostersahs zer linken s<strong>it</strong>en bind o. to thy left side,<br />

bis dur Kiinzen hochgemuot,<br />

le<strong>it</strong>e uns viir daz Tinkuftor,<br />

be for K/s sake merry,<br />

lead us outside the T. gate,<br />

la den tanz al uf den wasen r<strong>it</strong>en ! let dance on turf be rid.<br />

This binding on of the c<br />

Easter seax/ or sword-knife, leads us to

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