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THANATOS. MOKS. DATJDUS. 841<br />

setting his foot on the psyche (soul) as if taking possession of her ;<br />

often his hands are crossed over the extinguished torch. At<br />

times he appears black (like Hel, p. 313) or black-winged (atris<br />

alis) : rbv Be ireaovra etXe //,eXa? Odvaros, tyv%r)<br />

etc<br />

cra&amp;gt;/-iaTO&amp;lt;?<br />

eTTT?; (Batrach. 207) 1<br />

, and d\evaro Krjpa ^k\aivav (ibid. 85).<br />

But usually the departing dead is represented riding a horse,<br />

which a genius leads : an open door betokens the departure, as we<br />

still throw open a door or window when any one dies (Superst. I,<br />

664). As a symbol, the door alone, the horse s head alone, may<br />

express the removal of the soul. 2 The Roman genius of death<br />

seems to announce his approach or the hour of parting by knock<br />

ing at the door 3<br />

; a knocking and poking at night is ghostly and<br />

ominous of death (see Suppl.).<br />

Roman works of art never give Death the shape of a female<br />

like Halja, though we should have expected <strong>it</strong> from the gender<br />

of mors, and originally the people can scarcely have conceived <strong>it</strong><br />

otherwise ; the Slavic smrt, smert (the same word) is invariably<br />

fern., the L<strong>it</strong>h. smertis is of e<strong>it</strong>her gender, the Lett, nahwe fern,<br />

alone. And the Slav. Morena, Marana (Morena, Marzana), de<br />

scribed p. 771, seems to border closely on smrt and mors.<br />

These words find an echo in Teutonic ones. Sclimerz, smart, we<br />

now have only in the sense of pain, originally <strong>it</strong> must have been<br />

the pains of death, as our qual (torment) has to do w<strong>it</strong>h quellan,<br />

AS. cwellan, Eng. kill: 4 the OHG. MHG. and AS. have alone<br />

retained the strong verb smerzan, smerzen, smeortan (dolere).<br />

OHG. smerza is fern., MHG. smerze niasc., but never personified.<br />

Nahwe answers to the Goth. masc. ndus, pi. naveis, funus (conf.<br />

ON. ndr, ndinn p. 453), as Odvaros too can mean a corpse. 5 Bat<br />

this Grk. word has the same root as the Goth, ddufius, OHG. tod<br />

1 One would suppose from this passage, that Death took only the corpse of the<br />

fallen to himself, that the soul flew away to Hades, for <strong>it</strong> is said of her in v. 235<br />

2 0. Miiller s Archaol., ed. 2, pp. 604. 696. For the horse s head, conf.<br />

Boeckh s Corp. inscr. no. 800. Harm. Oxon. p. 2, no. 63-7. E. Kochette s<br />

Monum. ined. 1, 126. Pausan. vii. 25, 7. Gerhard s Antike bildw. p. 407.<br />

3 Hor. Od. i.<br />

4, 13 : pallida mors aequo pulsat pede pauperum tabernas regumque<br />

turres.<br />

4 Constant use will soften down the meaning of the harshest terms we ; had<br />

an instance in the Fr. gene, p. 800n. A<br />

5 Goth, leik (corpus, caro), our leiche, leichnam,~&ng. lich (cadaver) ; the OHG.<br />

hreo, AS. hraw, MHG. re (cadaver, funus), and Goth, hrdiv (whence hraiva-dubo,<br />

mourner-dove) are the Lat. corpus.

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