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155 Background<br />

again. My eyes are stitched all over with the certainty that what’s been given before<br />

doesn’t change. There’s simply nothing new to see. It’s just counting out. But then<br />

there’s nothing new to design.<br />

Background<br />

Most of the material from William James is found in a pair of sections, ‘‘In Reasoning,<br />

We Pick Out Essential Qualities’’ and its successor, in chapter 22—‘‘Reasoning’’—in<br />

The Principles of Psychology. 1 The quotation on genius is in chapter 19. 2 It concludes<br />

an account of how our conceptions of things alter by being used and how old fogyism<br />

inhibits the assimilation of fresh experiences. ‘‘Old-fogyism, in short, is the inevitable<br />

terminus to which life sweeps us on.’’ I like to think that visual calculating is a useful<br />

antidote. The longish quotation on numbers and experience is in chapter 28. 3 James<br />

talks about concepts and perceptual experience in Some Problems of Philosophy. 4 Kierkegaard’s<br />

saying is found in James’s Essays in Radical Empiricism, and is followed immediately<br />

with this observation.<br />

Understanding backwards is, it must be confessed, a very frequent weakness of philosophers, both<br />

of the rationalistic and of the ordinary empiricist type. Radical empiricism alone insists on understanding<br />

forwards also, and refuses to substitute static concepts of understanding for transitions in<br />

our moving life. 5<br />

Fixed descriptions don’t work in life or in calculating with shapes. Static concepts and<br />

the structure they imply are no substitute for rules and embedding. James’s descriptions<br />

of the six-pointed star are in Pragmatism. 6 But also see his discussion of Lotze’s<br />

descriptions of the star in chapter 11—‘‘Attention’’—in The Principles of Psychology.<br />

James’s Talks to Teachers is worth reading from cover to cover, given the misplaced<br />

emphasis in schools today on basics, standards, and tests. It also contains some nice<br />

material on Francis Galton—I mentioned him in the introduction—and his seminal<br />

work on mental imagery and visual imagination. (Again, there are antecedent sections<br />

in The Principles of Psychology.) I have recorded James’s delightful remarks on old fogyism<br />

and conversation. 7<br />

R. Narasimhan describes Evans’s grammar and how it applies to his shape in the<br />

first chapter, ‘‘Picture Languages,’’ in the book Picture Language Machines.<br />

Recently, Evans has discussed a ‘‘grammar-controlled pattern analyzer’’ which he has implemented<br />

in LISP. ‘‘The inputs required by the analysis program consist of: (1) a grammar, and (2)<br />

an input pattern in the form of a list of lowest level constituents, with any desired information<br />

attached for later use in the analysis process. The output will be a list of all of the objects defined<br />

by the grammar which can be built out of the list of constituents forming the input pattern.’’<br />

The following example taken from Evans’ paper should give an idea of how such an analyzer<br />

would function: ‘‘Supposing we have a straight-line drawing as in Fig. 1, and wish to find<br />

all of the triangles (16, in the case shown). Suppose the input is to be the list of vertices (9, in<br />

this case) with, attached to each, a list of the others to which it is connected by a line of the drawing.<br />

The grammar rule we need to define a triangle might look like:

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