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340 III Using It to Design<br />

but occasionally they repeat in some delightful ways<br />

With shapes and rules, it’s easy to add new motifs and to take advantage of what they<br />

do. It requires nothing more than a drawing to show what I want to see and do. That’s<br />

how rules are defined. And that’s all I need to calculate.<br />

Earlier on, near the beginning of this part, I said that the same schemas worked<br />

in different contexts to produce different results. The schema x fi divðxÞ that I’ve been<br />

using to divide regions in ice-rays is a perfect example of this. I’ve already shown that<br />

the schema is good for other kinds of lattice designs and, as an inverse, for Klee’s palmleaf<br />

umbrella. But more conspicuously, it works in various algebras for painting and<br />

architecture. The painter Georges Vantongerloo did a large number of designs like this<br />

one<br />

in which he starts with a pinwheel division and then makes orthogonal cuts. No<br />

one would ever call it an ice-ray, but it really is. And then the Portuguese architect<br />

Alvaro Siza relies on the same idea in designs for floor plans in his ongoing housing<br />

project at Malagueira—about twelve hundred units to date that repeat at least thirtyfive<br />

plans. Here’s one design that’s produced with a biaxial cut followed by three<br />

more divisions

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