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216 II Seeing How It Works<br />

where points have area, lines have thickness, and planes have tones. Among other<br />

things, weights include different graphical properties such as color and surface texture,<br />

but any material property will do, and more abstract things like sets of labels, numerical<br />

values that vary in some way, or combinations of sets and values are fine, too.<br />

Labels and weights let me put shapes together in alternative ways. I can place a<br />

triangle on top of a square to make the shape<br />

in the algebra U 12 , and then take away the triangle I’ve added. But the result isn’t the<br />

square<br />

that you expect from listening to the words—‘‘take away the triangle after you add it to<br />

a square.’’ The piece that the triangle and square have in common is erased from the<br />

top of the square in the way this happens in drawing to produce the shape<br />

It’s a mistake to assume that the things words pick out are always independent in<br />

combination. The intuition is common yet misguided, just another semantic fallacy.<br />

Language doesn’t structure shapes permanently. You can always be surprised when<br />

descriptions don’t count. But this is familiar territory—I experimented erasing squares<br />

in the shape

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