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309 Background<br />

To be sure, Mill would agree that freedom (liberty) to observe and to say what you see<br />

is key throughout education ‘‘in the most enlarged sense of the term.’’ Education isn’t<br />

about morality and good and bad manners, or testing what you know. Good answers<br />

and right behavior aren’t set in advance—they’re always a surprise. This isn’t a question<br />

of logic but of unfolding experience. That’s why I’m so keen on shapes and rules.<br />

My rules let me focus on this while going freely to that, without having to represent<br />

anything in between. They let me see ‘‘what parts that thing is composed of’’ in new<br />

ways as I go on. Only my rules aren’t Mill’s. His rules encourage getting in the right<br />

frame of mind. This is important enough—and for me, it involves marshaling an array<br />

of schemas x fi y to define rules. That’s the main job of part III. Then using these rules<br />

to calculate with shapes puts observing and inventing in a working relationship—I do<br />

the one to do the other.<br />

The quotations from Franz Reuleaux that link ‘‘Invention’’ and ‘‘Thought’’ are in<br />

The Kinematics of Machinery. 44 In keeping with this, Reuleaux divides design into direct<br />

and indirect synthesis. He prefers the latter to the former, although this seems inevitable<br />

when invention is thought—sooner or later, the one is bound to be organized in<br />

the same way as the other.<br />

Diagram of the Synthetic Processes<br />

The importance of this part of the subject is so great that I have thought it worth while to add the<br />

accompanying diagram in the hope that it may make the connection between the different synthetic<br />

methods somewhat more clear to the reader.

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