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252 II Seeing How It Works<br />

Two secondary lines, moving around an imaginary main line.<br />

What a marvelous way to start—adding complementary forms in spatial relations, and<br />

likewise adding lines and subtracting one that’s then imaginary.<br />

But decomposing shapes isn’t the only way to define spatial relations to use in<br />

my schemas. I can start from scratch. I can begin with shapes—a vocabulary—and<br />

enumerate apt configurations. There’s reason to be combinatorial after all. How things<br />

feel when I pick them up, move them around, and line them up with my hands is a<br />

natural way to approach this. It’s similar to what Frederick Froebel emphasizes in the<br />

kindergarten. His famous building gifts and tablets (play blocks and plane figures),<br />

and categories—forms of beauty (symmetrical patterns), knowledge (arithmetical and<br />

geometrical facts), and life (buildings, furniture, monuments, etc.)—provide some<br />

nice material for experiments. Spatial relations determine rules to augment the categories,<br />

so that I can calculate. The spatial relations are neatly defined in kindergarten<br />

rhymes—<br />

Face to face put. That is right.<br />

Edges now are meeting quite.<br />

Edge to face now we will lay,<br />

Face to edge will end the play.<br />

For pieces in the gifts, it might look like this<br />

It feels right. But let’s try it for geometrically similar polygons as boundaries of plane<br />

figures, instead of using play blocks. It’s still the same idea, with the difference that<br />

everything goes together equal edge to equal edge, and vertex to vertex.<br />

Suppose I begin with right triangles like this one<br />

Then I get twenty-one spatial relations with distinct triangles

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