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26 Introduction: Tell Me All About It<br />

in terms of the rule<br />

that rotates any of its three squares 45 degrees. This is a lot trickier than it looks. The<br />

sides of the small square cut sides of the large squares in half. Nonetheless, squares<br />

aren’t four lines and eight lines apiece<br />

as you might naturally intuit or guess from the way I segmented the shape<br />

It’s difficult to imagine all that’s needed for everything to work out—the squares are<br />

twenty lines and forty lines instead<br />

because of what happens when my rule is used to rotate both of the large squares, and<br />

how rotating the small square factors into this. Lines diffuse in analysis, as different<br />

parts (squares) interact dynamically. Look at my shape fade away (disintegrate) into<br />

finer and finer constituents. What I can draw with eight lines, and represent as sixteen<br />

equal segments to rotate each of its three squares, takes no less than eighty segments of<br />

two incommensurable lengths to describe completely. Every side of a large square corresponds<br />

with the palindrome<br />

ababaababa<br />

p<br />

where b ¼ a<br />

ffiffiffi<br />

2 . The segments a and b in the string are related as the side and the diagonal<br />

of a square—this is too hokey to be wrong. Moreover, substrings are palindromes<br />

at aba and a half. Try these divisions and see how nicely segments align—especially<br />

when both of the large squares are rotated, so that sides match reversed at aba

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