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222 II Seeing How It Works<br />

In particular, notice how singleton shapes are used to produce new basic elements. Let<br />

e and f be basic elements in A and B. Then for the twin differences A B and<br />

B A , new basic elements are defined by feg B and ff g A , and for the product<br />

A B ,byfegff g. And once this is done for all basic elements, resultant ones with<br />

equal weights are added together to make sure that everything is maximal. Basic elements<br />

defined in differences and products with singleton shapes are always discrete,<br />

but they may still have overlapping boundary elements.<br />

In like fashion, the difference of two weighted shapes A and B is formed by dividing<br />

their basic elements into pieces that contribute to the shapes A B and A B .<br />

The weights assigned to the basic elements that contribute to A B are defined in relative<br />

complements. However, weights can’t be empty for basic elements to be included<br />

in the difference of the weighted shapes A and B. And once again, the process is easy to<br />

illustrate for lines<br />

The Boolean algebra for sets of labels is nothing special. Nonetheless, it shows<br />

how a familiar abstract device is enough to change any algebra of labeled shapes into<br />

an isomorphic algebra of weighted shapes. Putting independent labels in sets lets me<br />

combine the labels. (I can do the same using individuals, only with atoms—one for<br />

each label—instead of members. But I like sets better. Labels are pretty abstract already,<br />

so there’s no harm in sets and no reason to be like shapes. The contrast is worth keeping<br />

to stress the difference between classifying parts and finding them.) This trick<br />

makes labels unnecessary—weights will do. Of greater interest, though, there are more<br />

exotic algebras of weights that aren’t Boolean. One is worth seeing in a little detail, because<br />

of its relationship to drawing and because of what it shows about cooking up

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