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316 III Using It to Design<br />

that I draw or point to in the usual way to show what they are. But no matter what rule<br />

is defined, it applies exactly as my two formulas describe. Still, it may be worthwhile to<br />

say this for schemas directly. The schema x fi y applies to the shape C whenever an<br />

assignment g and a transformation t define a shape tðgðxÞÞ that’s part of C<br />

tðgðxÞÞ a C<br />

The result of this is another shape<br />

ðC<br />

tðgðxÞÞÞ þ tðgðyÞÞ<br />

produced by replacing tðgðxÞÞ with the shape tðgðyÞÞ. In most of the examples that<br />

follow, I’ll be using schemas. I’ll usually define them with one or two of the rules they<br />

determine under specific assignments with a short verbal description of the predicate<br />

involved, just as I’ve been doing. This avoids the need for a lot of technical details<br />

and lets me present everything visually. We’ll just agree that predicates can be filled<br />

in as necessary. And I promise not to do anything where the details are mysterious.<br />

A useful way to explain my formulas for schemas is to notice that the composition<br />

t g in the expressions tðgðxÞÞ and tðgðyÞÞ generalizes the transformations. What it<br />

means for shapes to look alike can range very broadly and be decided in all sorts of different<br />

ways. I tend to show examples that depend only on Euclidean transformations—<br />

for example, shapes are alike if they’re copies of the square<br />

either because they’re congruent<br />

or because they’re geometrically similar

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