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78 I What Makes It Visual?<br />

formula to get to the idea that calculating is visual if it can deal with shapes like this. I<br />

want to use rules to determine what parts I see and what I can say about them, and to<br />

allow for what I see and what I say to change freely as I calculate. And I want this to<br />

happen every time I try a rule. I’m told calculating is a good example of what it means<br />

to be discursive—well, sometimes when I calculate it looks logical, but most of the<br />

time it’s only desultory rambling with my eyes. <strong>Shape</strong>s should be ambiguous and<br />

vague—full of miscellaneous possibilities—and ready to use when I calculate, wandering<br />

in the region of the many and variable.<br />

So what can I do to make Evans’s example visual? My formula provides twin<br />

options. I can change the elements in Evans’s shape from lines to points, so that<br />

dimðelÞ ¼dimðemÞ, or I can use another embedding relation that’s one dimensional.<br />

Each of these alternatives is feasible and amply rewards a closer look.<br />

Suppose that the shape<br />

is the nine points Evans uses to define line segments as constituents<br />

and that the embedding relation is the same—I’ll continue to require identity among<br />

constituents. But with points, I really don’t have much of a choice. Embedding works<br />

only in this way.<br />

I can use the rule<br />

Three points fi Triangle<br />

in place of Evans’s rule to define 45-degree right triangles<br />

Or equivalently, I can give the rule in this identity<br />

in the way I normally do in shape grammars, where two shapes—in this case, they’re<br />

the same—are separated by an arrow. I’ll say more about rules like this a little later

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