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162 II Seeing How It Works<br />

and lowercase ones<br />

and their rotations and reflections. These are fixed in the symmetry group of the shape.<br />

All of its parts can be flipped and turned in eight ways<br />

And I can go on and divide the shape in myriad myriads of other ways. There’s always<br />

something new to see. Nothing stops me from changing my mind and doing whatever<br />

seems useful. I can always start over and try whatever comes up. These additional parts<br />

scarcely begin to show how easy it is to switch from division to division without<br />

rhyme or reason. No semantics works all of the time. (Myriad myriads is a truly<br />

fantastic number that defies actual counting. It’s one of Coleridge’s many poetic<br />

inventions—changing a noun into an adjective—that look easy yet are hard to do.<br />

And it’s a good example of the uncanny knack of artists and madmen—and sometimes,<br />

children who don’t know any better—to see triangles and K’s after they draw<br />

squares, and not to be bothered by it. I do the same trick every time I apply a rule to a

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