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321 Tell Me What Schema to Use<br />

define can be shared and used in your own way—it’s copying without repeating the<br />

past. There’s something to learn in the classroom that works in the studio when students<br />

ask, ‘‘What should I draw?’’ Creative design can be taught like language and<br />

mathematics in school, with examples, rules, and practice and the opportunity to experiment<br />

freely. Rules make this possible because they apply to shapes in terms of<br />

embedding and transformations. But I’ll come back to teaching a little later on, after<br />

I’ve presented more evidence to back up my claim that calculating with shapes and<br />

rules is creative.<br />

I’ve been talking about schemas and rules for my designs. I did a lot of them,<br />

but one of the key ideas that worked over and over again in surprising ways<br />

was to add shapes and their transformations. This is minimally expressed in the<br />

schema<br />

x fi x þ tðxÞ<br />

that defines the rule<br />

used for the shapes in the series<br />

And, in fact, this provides for the six designs in figure 1 that keep to what I did with<br />

the schema bðxÞ fi x þ t 0 ðbðxÞÞþþt n ðbðxÞÞ to explore alternative ways of coloring<br />

regions. Whatever I’ve said about counting in the past, permuting colors is sometimes<br />

informative—as long as you know there’s always more to see in another way. And as I<br />

went on, it seemed obvious that with all I could see and do with shapes and rules—my<br />

two examples merely begin to scratch the surface—designing and calculating weren’t<br />

too far apart. But not everyone agreed.<br />

The problem was evident—I was calculating to make designs in my own way. I<br />

could do anything I wanted and call it design. How about producing things that were<br />

designed by others with sensitivity and skill? What about some real examples that had<br />

the stamp of prior approval? Certainly, this wasn’t possible, especially for things that<br />

weren’t as regular and hard-edged as my designs. But, as luck would have it, I didn’t<br />

have to search very far to go on. There were plenty of things to design with shapes<br />

and rules wherever I happened to look. It was surprisingly easy, and there were others<br />

to help who saw this, too. Design was calculating. But in fact I knew that, and I already<br />

had a way to go.

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