23.02.2014 Views

Shape

Shape

Shape

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

III<br />

USING IT TO DESIGN<br />

We began utterly wrong in England, and we have gone on wrongly, and the consequence is that it<br />

is only the exceptional person who learns to draw very well. Now in my experiments I have<br />

reversed that process, and I find that not only does every person when he is taught rationally,<br />

and intelligently in the same way that he is taught Latin, and Greek, and mathematics, learn to<br />

draw well, but also to paint well, and to design well. But it is on a wholly different principle from<br />

that on which he is taught here in England. . . . We have developed an intellectual method of<br />

teaching drawing, more industrial, more practical, more artistic, and infinitely more successful. . . .<br />

I propose to show how art education can be as sensibly treated as Latin and mathematics. I have a<br />

great wealth of illustration here, which, if you allow me, I shall be very happy to submit to you.<br />

Probably it would interest you if I showed you some of the actual work of the children in the<br />

public schools of Boston and Massachusetts.<br />

—Walter Smith<br />

Design Is Calculating<br />

Metaphors are good heuristics. In fact, there’s this metaphor for metaphors and heuristics.<br />

And there’s also the one I started with<br />

(1) design is calculating<br />

as something to try and to prove. An alternative to it is an equivalence when I use the<br />

mathematics of part II. It’s this<br />

(2) drawing is calculating<br />

where drawing is both seeing and doing. Whenever I put pencil to paper, I’m calculating<br />

with shapes or symbols. But there’s nothing to code in a drawing, so I don’t have<br />

to use symbols in place of shapes to calculate. <strong>Shape</strong>s are fine by themselves without<br />

underlying descriptions or representations. In the introduction, I said that I wanted to<br />

do this book in a rigorous way with shapes and no words. Now I can, and in a sense,<br />

this part is a first try—at least there are a lot of drawings that are all just as rigorous and<br />

formal as symbols and code. <strong>Shape</strong>s in rules show how to change shapes in an openended<br />

process for drawing and design. This is to see, but it’s also included logically in<br />

statements 1 and 2. They combine in the formula

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!