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71 A First Look at Calculating<br />

with triangles, pyramids, and tetrahedrons, and the pair of figures<br />

from C. S. Peirce. In fact, what I’m trying to show in this book is how the embedding<br />

relation makes statement 1 practicable for shapes like these when rules are used to calculate.<br />

Rules let me see in alternative ways. And then Evans’s shape gives four examples<br />

of statement 2. This is solid evidence that’s right to heed. Nonetheless, I’m<br />

uncomfortable with my taxonomy. I’m going to affirm 1 and deny 2—it’s just not the<br />

way shapes work. I can vary how shapes look any time there’s something else to do.<br />

Their parts change freely, so they can be anything they need to be. There’s plenty of<br />

ambiguity to go on. That’s why drawing is useful in design. But constitutive distinctions<br />

that are permanent and fixed—‘‘eternal and unchangeable’’—and lost out of<br />

sight get in the way. They have to be remembered and honored to go on. Seeing begins<br />

and ends with my eyes. There’s nothing more than they can find. If shapes look the<br />

same, then they are the same. What you see is what you get. Really, it’s simply a question<br />

of logic. Deny statement 2 yourself and see if I’m right.<br />

(The best way to explore the occult properties of Evans’s shape is to count the<br />

different kinds of triangles it contains. This is what descriptions—representations like<br />

lists, strings, graphs, networks, trees, schemas, sets, structures, etc.—that are given in<br />

terms of constituents are for. Small triangles all have three lines apiece, but medium<br />

ones can have three to five lines and large ones three to nine. Lines are taken from<br />

these schemes<br />

There are five distinct configurations for each grouping of three collinear lines

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