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;<br />

OLD BUILDINGS 85<br />

view and nonchalantly watching the measuring. Detected<br />

at last when filling the bowl, he ran, but the<br />

barley-merchant ran faster and captured him in the<br />

archway leading to the street. Having knocked<br />

down the thief, the merchant dragged him to a<br />

cobbler's hutch in the Man-yard, pressed the victim's<br />

head on the doorstep, snatched a flat-faced hammer,<br />

and began smiting, using the step as an anvil, as it<br />

were. What he smote was the head, and his blows<br />

were not light ones. The boy's screams quickly<br />

ceased, and I intervened. He seemed to have<br />

become insensible. But the angry barley-merchant<br />

had done this kind of thing before, apparently, and<br />

knew how to deal with fainting. He stopped his<br />

blows and violently pulled the boy's ears, first one<br />

and then the other, as a restorative process, and the<br />

screams recommenced ; but with that the punishment<br />

ended.<br />

In Amasia you may see old mosques with cloistered<br />

courtyards, Seljuk colleges, tekJces, and hlians ; there<br />

are old bridges, old houses, and rock-hewn tombs, but<br />

the finding of them depends chiefly on inquiry and<br />

your own labour. There is little in guide-books to<br />

help in your search, little of the buildings' story<br />

and associations, nothing, or very little, of the city's<br />

history. After bringing together all the pieces of<br />

information available you remain much in the dark.<br />

Even if sufficiently an archseologist to recoofnise old<br />

work and assign it correctly, you are thereby only<br />

furnished with a dry skeleton. A Seljuk quadrangle<br />

or khan may be very beautiful in itself, but is a dead<br />

thing without some outline of its history, some notion<br />

of those who built it, some story of life within its walls.<br />

Looking at such buildings, you are conscious that they<br />

have seen a world of romantic Eastern history, of hopes<br />

and fears and ambitions and effort and tragedy, that<br />

their story would have more than ordinary interest<br />

but you are conscious, also, that their story is hopelessly<br />

lost. Investigate Seljuk history a little, and you<br />

find not much to go upon. The most notable Turkish

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