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—<br />

ALEXANDER DRUMMOND 451<br />

such demands in this respect upon the credibiUty of<br />

his public. Let him sketch a mountain, and at top<br />

he projects a cantilever of rock into the air and places<br />

a chapel at its farthest overhanging extremity. Any<br />

one looking in these days at some of the crags so<br />

formed in Drummond's time, is able to affirm that<br />

the overhanging rocks and chapels must have since<br />

fallen down. This, however, by the way.<br />

Drummond found that Beilan village "exhibited<br />

the most romantic appearance" he had ever beheld.<br />

Having said so much in compliment, he goes on<br />

to remark that the village is peopled by a robber<br />

clan of highlanders, known as Gurdins, " a society<br />

of thieves and banditti." And then he comments<br />

dangerously<br />

" I hope, notwithstanding the affinity of sounds,<br />

that we do not owe to this stock a certain powerful<br />

clan of our own country."<br />

It was the custom of these Gurdins to levy toll<br />

of all who came to Beilan. By way of further<br />

exercising their rights, they had recently stripped<br />

a passing French Consul of all his belongings, an<br />

outrage for which there was no redress. The only<br />

safeguard was for travellers to go over the pass<br />

in company, and so make up a party strong enough<br />

to protect themselves. Drummond accordingly took<br />

this course and passed in safety, counting camels<br />

as he went, " of which were two hundred and seventy<br />

in one caravan," and " several thousands on the road."<br />

Three days later he was at Jebel Bereket, where<br />

he fell in with the pillar of St Simon Stylites, and<br />

was moved to strong comment.<br />

"This aerial martyr!" he exclaims, . . . "this<br />

. . mounted a short pillar where<br />

Saint Wronghead .<br />

he resided seven years chained by the neck. ..."<br />

At Jebel Bereket, however, Drummond spent a day<br />

measuring and sketching the pillars and chapel and<br />

catacombs. And there we leave him, a diverting<br />

industrious traveller who has put into various of his<br />

drawings a representation of himself—a figure in long,

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