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s - Wyższa Szkoła Filologiczna we Wrocławiu

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152<br />

Richard L. Lanigan<br />

family d<strong>we</strong>lling attached to the next in one large building complex. These domestic<br />

areas are the square shaped rooms depicted in Figures 4 and 5. The circular<br />

rooms are the Kivas which <strong>we</strong>re meeting rooms for men. Such rooms<br />

<strong>we</strong>re basically for religious purposes formed a unique bond among its members<br />

(Newcomb 1964). Pueblo Bonito is very important because it shows the development<br />

of the Grand Kiva or Kiva of smaller Kivas. For our communicological<br />

purposes, the Kiva system represents a sociocentric cultural organization for<br />

communication in which group identity is paramount. It is critical to understand<br />

that a major characteristic of the Kiva was the doctrine of secrecy and group<br />

silence about the communication and rituals that took place there. This would<br />

prove to be a major asset for the development and necessary secrecy of the Navajo<br />

code in WWII. It is worth noting here that even the code talkers’ families<br />

did not know what they had done in the war until 1969 when a veteran’s association<br />

of former members of the Fourth Marine Division worked to locate former<br />

code talkers to honor them at a meeting in Chicago, Illinois (Paul 1973:<br />

117). Even then, many of the talkers would not discuss the details of the code<br />

which partially for many inaccurate accounts of the code (e.g., Wrixon 1998:<br />

371).<br />

2. Tonal languages<br />

The Navajo and Japanese languages are usually classified as a “tonal” language<br />

and are often thought, therefore, to have a tonal system like the four tones<br />

of Chinese (Halliday 2005). The Chinese system is: (1) high-level [ma =<br />

mother], (2) high-rising [ma = hemp], (3) low-falling-rising [ma = horse], and<br />

(4) high-falling [ma = scold]. This Japanese “tone” description is controversial,<br />

to say the least. For example, Bernard Comrie (1987: 869) argues that “the<br />

Japanese accentual system is characteristically distinct from the archetypal tone<br />

languages of the Chinese type”. The short version of the dispute is say that both<br />

Japanese, in particular, and Navajo are best described not as “tone” languages,<br />

but as pitch-accent languages (Ding 2006). The point to be made is precisely<br />

that Navajo and Japanese are more alike than they are dissimilar in phonological<br />

terms. For an explicit comparison of English, Japanese, and Chinese, see<br />

Halliday and Matthiessen (1999: 297).<br />

2.1. The language of the people<br />

The Navajo language (Diné bizaad) is spoken by approximately 149 000<br />

persons according to the 1990 census of the United States population (Crystal<br />

1997: 36). In 1970, the number of speaker was 100 000 which makes Navajo<br />

the fastest growing Native American language. We may speculate that this due

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