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s - Wyższa Szkoła Filologiczna we Wrocławiu

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178<br />

Katarzyna Molek-Kozakowska<br />

the expressive/impressive potential of style are Coupland’s (2007) notions of<br />

targeting, framing, voicing, keying and loading, as they help to make the connection<br />

bet<strong>we</strong>en the textuality of journalistic discourse and the projection of<br />

identities. Finally, the study considers the question whether Polish political<br />

journalism can do without English in the age of global media, and if not, what<br />

the likely effects (not only in terms of identity construction) of such language<br />

mixing are.<br />

2. Style and styling<br />

In late modernity, social identities are becoming more and more multilayered.<br />

The membership to social collectivities has been more a matter of choice<br />

than determination, and such social categories of affiliation as nationhood, ethnicity,<br />

class, religion, age group, and even gender have been demonstrated to be<br />

electable and performable. It can be assumed that the need to express various<br />

compound and hybrid identities has instigated ever more intense language<br />

change, with sociolinguists trying to capture its fluidities and functionalities.<br />

That is why they postulate to adopt the notion of style, or rather its more dynamic<br />

counterpart, namely, styling, to study the identity-related linguistic variation<br />

(cf. Rampton 1995, Coupland 2007).<br />

The notion of style has been fairly <strong>we</strong>ll delimited and made applicable in<br />

social sciences, as <strong>we</strong>ll as cultural and media studies (Hebdige 1979). Ho<strong>we</strong>ver,<br />

in linguistics the category of style is still contested and notoriously difficult to<br />

apply for larger comparative analyses. Within communication studies, discourse<br />

studies, semiotics, sociolinguistics and pragmatics, the notion of style has been<br />

variously labeled. It has been conceptualized, for example, in terms of activity<br />

type (Levinson 1979), communicative style (Selting 1999), rhetorical style<br />

(Fairclough 2000), language style (Machin & van Leeu<strong>we</strong>n 2005), or sociolinguistic<br />

style (Coupland 2007). As linguistic styles signify meanings, project<br />

identities and express values verbally, David Machin and Theo van Leeu<strong>we</strong>n<br />

(2005) see them as tools indicating not only unique personal qualities but also<br />

group ideologies and even consumption patterns typical of particular lifestyles.<br />

Language styles tend to be heterogeneous “composites of connotations” (2005:<br />

587), which may <strong>we</strong>ll be deliberately contrived. That is why Coupland (2007)<br />

distinguishes bet<strong>we</strong>en expressive and impressive styles. The former are applied<br />

relatively unconsciously and may inadvertently signal a speaker’s individual,<br />

regional or social traits; the latter are designed to make a specific impression on<br />

a listener and thus are related to stylization, i.e., achieving a specific effect or<br />

reaction by applying particular linguistic devices.<br />

For the purposes of this study, it is important to point that the notion of style<br />

is functional and represents speakers’ “meaningful choices made in order to

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