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Spanish pain, el dolor 63<br />

Many cultural psychologists and anthropologists see emotions as scripts or<br />

scenarios (Fehr & Russell 1984; Kövecses 1995; Sh<strong>we</strong>der & Haidt 2004). This<br />

view is shared by Wierzbicka and associates.<br />

Table 1. NSM – a list of semantic primitives (after Wierzbicka 2009: 5)<br />

Substantives<br />

Relational substantives<br />

Determiners<br />

Quantifiers<br />

Evaluators<br />

Descriptors<br />

Mental predicates<br />

Speech<br />

Actions, events, movement, contact<br />

Location, existence<br />

Possession, specification<br />

Life and death<br />

Time<br />

Space<br />

Logical concepts<br />

Intensifier, augmentor<br />

Similarity<br />

I, YOU, SOMEONE, SOMETHING, PEOPLE, BODY<br />

KIND, PART<br />

THIS, THE SAME, OTHER/ELSE<br />

ONE, TWO, MUCH/MANY, SOME, ALL<br />

GOOD, BAD<br />

BIG, SMALL<br />

THINK, KNOW, WANT, FEEL, SEE, HEAR<br />

SAY, WORDS, TRUE<br />

DO, HAPPEN, MOVE, TOUCH<br />

BE (SOMEWHERE), THERE IS<br />

HAVE, BE (SOMEONE/SOMETHING)<br />

LIVE, DIE<br />

WHEN/TIME, NOW, BEFORE, AFTER, FOR SOME TIME,<br />

MOMENT, A LONG TIME, SHORT TIME<br />

WHERE/PLACE, HERE, ABOVE, BELOW, FAR, NEAR,<br />

SIDE, INSIDE<br />

NOT, MAYBE, CAN, BECAUSE, IF<br />

VERY, MORE<br />

LIKE<br />

In the NSM framework emotions are defined through a prototypical cognitive<br />

scenario (Goddard 1998: 95). It describes the meaning of an emotion via<br />

comparison with typical thoughts a person experiencing such an emotion may<br />

have. As Wierzbicka (1996: 180) writes:<br />

[T]o feel a certain emotion means to feel like a person does who has certain (specifiable)<br />

thoughts characteristic of that particular situation (and to undergo some internal process<br />

because of this). Typically, though not necessarily, these thoughts involve references to<br />

‘doing’ or ‘happening’, to something ‘good’ or ‘bad’, and to ‘wanting’ or ‘not wanting’.<br />

And, importantly, those prototypical scripts “are embedded in, and [are] dependent<br />

on, culture” (Paez & Vergara 1995: 415). They are the result of a society’s history.<br />

As a consequence, that is why <strong>we</strong> may view emotion terms as “a record of how<br />

earlier generations of speakers of a given language thought about their feelings”<br />

(Besemeres & Wierzbicka 2009: 2).

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