Werewolf: The Forsaken - Blank It

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10 CREDIT S Concept and Design: Justin Achilli, Philippe Boulle, Bill Bridges, Dean Burnham, Ken Cliffe, Conrad Hubbard, Mike Lee, Chris McDonough, Matthew McFarland, Aileen E. Miles, Ethan Skemp, Richard Thomas, Mike Tinney, Stephan Wieck, Stewart Wieck, and Frederick Yelk Second-Stage Concept and Design: Justin Achilli, Bill Bridges, Ken Cliffe, Chris McDonough and Frederick Yelk Third-Stage Concept and Design: Justin Achilli, Philippe Boulle, Carl Bowen, Bill Bridges, Ken Cliffe, Conrad Hubbard, Ethan Skemp, Mike Tinney, and Frederick Yelk. Werewolf: The Forsaken is inspired by Werewolf: The Apocalypse Werewolf: The Apocalypse was created by Mark Rein•Hagen Written by: Carl Bowen, Rick Jones, James Kiley, Matthew McFarland and Adam Tinworth. Werewolf and the World of Darkness created by Mark Rein•Hagen. World of Darkness created by Mark Rein•Hagen World of Darkness co-created by Stewart Wieck Additional Material: John Chambers, Ken Cliffe, Forrest B. Marchinton, Deena McKinney, Wayne Peacock, Sean Riley, Matthew J. Rourke and Ethan Skemp Developed by: Ethan Skemp Developmental Assistance: Carl Bowen and Ken Cliffe Editor: Carl Bowen Art Director: Aileen E. Miles Layout & Typesetting: Aileen E. Miles Interior Art: Abrar Ajmal, Dave Allsop, Clint Langley, David Leri, Britt Martin, Matt Milberger, Mark Nelson, Torstein Nordstrand, Michael Phillippi, Steve Prescott, Jeff Rebner, Jean-Sebastien Rossbach, James Ryman, Ron Spencer, Richard Thomas, Jamie Tolagson, Conan Venus Front & Back Cover Design: Matt Milberger, Aileen E. Miles, Richard Thomas First- and Second-Stage Playtesters: Krister M. Michl, Daniel Byström, Robert Holmberg, Mattias Renmark, Nils-Johnson Andreasson, David Bergkvist, Dee McKinney, Buck Marchinton, Wayne Peacock, Dana Jones, Kirk Jones, Fred Grass, Ben Chism, Alan Alexander, Bishop Lewis, Jarett Underwood, James Luke Boswell, Matt Ragan, Jay Ragan, Paul Garmer, Carol Garmer, Aaron Wheatcraft, Jim Zubkavich, Gala Ferriere, Julian Hubbard, Reuel Castillo, Rachel “Bunnie” Winter, Albert Mowatt, Brent Halstead, Malcolm Sheppard, Tara De Blois, Kearsley Sheider-Wethy, Ted Sunnerton, Stephen Sharpe, Chad McGrath, Douglas A. Forsyth, Ryan Brandos, Robin Nair, Cassandra Brackett, Matthew Petosa, Jasmine Marie Gribble, J. Entsmiger, Kraig Blackwelder, Ben Heisler, Jacob R. Martinson, Richard Luke Bennett, Joey Turner Third-Stage and In-House Playtesters: Justin Achilli; Philippe Boulle; Carl Bowen; Bill Bridges; John Chambers; Ken Cliffe; Conrad Hubbard; Chris McDonough; Mike Tinney; Aaron Voss; Frederick Yelk ACKNOWLEDGEMENT Many kudos to the array of stalwarts and visionaries who took the word “werewolf” and turned it into the first incarnation of Werewolf proper: thanks to Mark Rein•Hagen, Bill Bridges, Robert Hatch, Josh Timbrook, Wes Harris, Richard Thomas, Andrew Greenberg, Stewart Wieck, Travis L. Williams, Sam Chupp, William Hale, Samuel Witt, Geoff Pass and to all the others who weren’t mentioned by name but who marked the game with their ideas anyhow. Thanks also to the many authors who helped fine-tune the idea of roleplaying werewolves again and again, polishing the bones until this new book could be born from the foundations of the old. We couldn’t have done it without the trail you blazed before us. © 2005 White Wolf Publishing, Inc. All rights reserved. Reproduction without the written permission of the publisher is expressly forbidden, except for the purposes of reviews, and for blank character sheets, which may be reproduced for personal use only. White Wolf, Vampire, World of Darkness, Vampire the Masquerade and Mage the Ascension are registered trademarks of White Wolf Publishing, Inc. All rights reserved. Vampire the Requiem, Werewolf the Apocalypse, Werewolf the Forsaken, Mage the Awakening, Storyteller System and Storytelling System are trademarks of White Wolf Publishing, Inc. All rights reserved. All characters, names, places and text herein are copyrighted by White Wolf Publishing, Inc. The mention of or reference to any company or product in these pages is not a challenge to the trademark or copyright concerned. This book uses the supernatural for settings, characters and themes. All mystical and supernatural elements are fiction and intended for entertainment purposes only. This book contains mature content. Reader discretion is advised. For a free White Wolf catalog call 1-800-454-WOLF. Check out White Wolf online at http://www.white-wolf.com; alt.games.whitewolf and rec.games.frp.storyteller PRINTED IN CANADA
TABLE OF CONTENT S PROLOGUE: FRESH MEAT 2 INTRODUCTION 12 CHAPTER ONE: THE WORLD OF THE FORSAKEN 20 CHAPTER TWO: CHARACTER 58 CHAPTER THREE: SPECIAL RULES AND SYSTEMS 166 CHAPTER FOUR: STORYTELLING AND ANTAGONIST S 210 APPENDIX ONE: THE SPIRIT WORLD 248 APPENDIX TWO: THE ROCKIES 286 EPILOGUE: SKINS 311 11
Page 3 and 4: A STOR Y TE LLING G AME OF SAVAGE F
Page 5 and 6: “He might be ready,” that one s
Page 7 and 8: overly loud on the concrete platfor
Page 9 and 10: FEElinG that Awful power aNd AccePt
Page 14 and 15: 12 Introduction
Page 16 and 17: 14 Introduction MAN IS THE ONLY ANI
Page 18 and 19: 16 Introduction each phase influenc
Page 20 and 21: 18 Introduction photographs of a wa
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60 Chapter II: Character THE WORLD
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62 Chapter II: Character an auspice
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64 Chapter II: Character Ghost Wolv
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66 Chapter II: Character WEREWOLF T
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68 Chapter II: Character You’re s
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70 Chapter II: Character your Story
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72 Chapter II: Character tributes.
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74 Chapter II: Character represent
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76 Chapter II: Character EFFECT S O
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78 Chapter II: Character and insigh
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80 Chapter II: Character than other
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82 Chapter II: Character Dealing wi
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100 CHAPTER NUMBER: CHAPTER TITLE i
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102 Chapter II: Character GIFT S So
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104 Chapter II: Character resolved
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106 Chapter II: Character Cost: 1 E
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108 Chapter II: Character an immate
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110 Chapter II: Character Cost: 1 W
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112 Chapter II: Character Dice Pool
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114 Chapter II: Character Failure:
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116 Chapter II: Character FULL MOON
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118 Chapter II: Character All this
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120 Chapter II: Character Action: I
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122 Chapter II: Character Using thi
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124 Chapter II: Character The visio
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126 Chapter II: Character wolf, exc
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128 Chapter II: Character Failure:
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130 Chapter II: Character and becom
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132 Chapter II: Character NEW MOON
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134 Chapter II: Character An epheme
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136 Chapter II: Character If the Gi
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138 Chapter II: Character inder of
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140 Chapter II: Character Roll Resu
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142 Chapter II: Character his curre
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144 Chapter II: Character motel roo
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146 Chapter II: Character Success:
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148 Chapter II: Character are spent
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150 Chapter II: Character along to
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152 Chapter II: Character proving t
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154 Chapter II: Character animals (
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156 Chapter II: Character respond (
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158 Chapter II: Character that has
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160 Chapter II: Character endurance
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162 Chapter II: Character awaken th
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164 Chapter II: Character culminati
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166 Chapter III: Special Rules and
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210 Chapter IV: Storytelling and An
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248 Appendix I: The Spirit World
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250 Appendix I: The Spirit World TH
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252 Appendix I: The Spirit World RU
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254 Appendix I: The Spirit World ca
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258 Appendix I: The Spirit World co
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260 Appendix I: The Spirit World be
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262 Appendix I: The Spirit World aw
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268 Appendix I: The Spirit World HU
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270 Appendix I: The Spirit World TH
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274 Appendix I: The Spirit World cr
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276 Appendix I: The Spirit World se
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280 Appendix I: The Spirit World EX
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282 Appendix I: The Spirit World Th
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286 Appendix II: The Rockies
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288 Appendix II: The Rockies IN THE
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290 Appendix II: The Rockies Rockie
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292 Appendix II: The Rockies
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294 Appendix II: The Rockies Colora
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296 Appendix II: The Rockies thy fo
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298 Appendix II: The Rockies a virt
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300 Appendix II: The Rockies moil.
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302 Appendix II: The Rockies him. I
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304 Appendix II: The Rockies Defens
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306 Appendix II: The Rockies Physic
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308 Appendix II: The Rockies sacrif
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310 Appendix II: The Rockies Via tr
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312 Appendix II: The Rockies T-shir
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314 Appendix Index II: The Rockies
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316 Appendix Index II: The Rockies
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