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the Female Body GOVERNING

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Pink Ribbons Inc. 105<br />

<strong>the</strong> realm of breast cancer to help produce and reproduce a racialized<br />

discourse of generosity that characterizes U.S. culture at this time.<br />

While <strong>the</strong>se commercials offer a model for <strong>the</strong> ideal practitioner of<br />

American generosity, <strong>the</strong>y also give shape to an idealized recipient of<br />

such generosity. The breast cancer survivors who appear in <strong>the</strong> NFL<br />

commercials are ordained with an inherent morality and wisdom—<br />

indeed, <strong>the</strong> awestruck voiceovers of <strong>the</strong> players in conjunction with <strong>the</strong><br />

soft focus frames of <strong>the</strong> survivors faces suggest beatifi cation—and are<br />

thus confi gured as higher-order citizens. But, perhaps paradoxically,<br />

<strong>the</strong> discourse of survivorship deployed through <strong>the</strong>se commercials<br />

is also infantilizing. In her attempt to understand <strong>the</strong> popularity of<br />

stuffed bears and o<strong>the</strong>r commodities more commonly associated with<br />

childhood as gifts with a breast cancer <strong>the</strong>me, Barbara Ehrenreich<br />

(2001) wonders if in some versions of <strong>the</strong> prevailing gender ideology,<br />

“femininity is by its nature incompatible with full adulthood—a state<br />

of arrested development.” “Certainly,” she writes, “men diagnosed with<br />

prostate cancer do not receive gifts of Matchbox cars” (p. 46). Here<br />

Ehrenreich identifi es (although she doesn’t elaborate on) what I think<br />

is a key tension in mainstream breast cancer survivor culture: On <strong>the</strong><br />

one hand breast cancer survivors are celebrated for <strong>the</strong>ir courage and<br />

strength and urged to feel empowered as actors within <strong>the</strong> medical<br />

system, but on <strong>the</strong> o<strong>the</strong>r <strong>the</strong>y are asked to submit to mainstream scientifi<br />

c knowledge and depend on doctors and scientists to protect <strong>the</strong>m<br />

from death. They—and <strong>the</strong> public at large—are told to obtain regular<br />

screenings, to demand insurance coverage for mammograms, and to<br />

explore a range of treatment options, but <strong>the</strong>y are discouraged from<br />

questioning <strong>the</strong> underlying structures and guiding assumptions of <strong>the</strong><br />

cancer-industrial complex.<br />

While some feminist voices do raise such questions—What does cause<br />

breast cancer if only 30% of women diagnosed have known risk factors?<br />

If mammography, chemo<strong>the</strong>rapy, and radiation have not succeeded<br />

in bringing down morality rates, what might? Why are more efforts<br />

not made to fund research into cause and prevention and particularly<br />

environmental factors in breast cancer incidence?—<strong>the</strong>se voices, as I<br />

have indicated, are largely excluded from <strong>the</strong> mainstream of breast<br />

cancer culture. And while research on women’s experiences with breast<br />

cancer suggests a wide range of psychological responses to <strong>the</strong> disease<br />

(in o<strong>the</strong>r words, <strong>the</strong> dominant image of breast cancer as <strong>the</strong> route to<br />

true happiness is not borne out by <strong>the</strong> research) <strong>the</strong> heterogeneity of<br />

<strong>the</strong>se experiences does not easily penetrate dominant discourse on <strong>the</strong><br />

disease and <strong>the</strong> approach of <strong>the</strong> cancer establishment to it.

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