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Pink Ribbons Inc. 105<br />
<strong>the</strong> realm of breast cancer to help produce and reproduce a racialized<br />
discourse of generosity that characterizes U.S. culture at this time.<br />
While <strong>the</strong>se commercials offer a model for <strong>the</strong> ideal practitioner of<br />
American generosity, <strong>the</strong>y also give shape to an idealized recipient of<br />
such generosity. The breast cancer survivors who appear in <strong>the</strong> NFL<br />
commercials are ordained with an inherent morality and wisdom—<br />
indeed, <strong>the</strong> awestruck voiceovers of <strong>the</strong> players in conjunction with <strong>the</strong><br />
soft focus frames of <strong>the</strong> survivors faces suggest beatifi cation—and are<br />
thus confi gured as higher-order citizens. But, perhaps paradoxically,<br />
<strong>the</strong> discourse of survivorship deployed through <strong>the</strong>se commercials<br />
is also infantilizing. In her attempt to understand <strong>the</strong> popularity of<br />
stuffed bears and o<strong>the</strong>r commodities more commonly associated with<br />
childhood as gifts with a breast cancer <strong>the</strong>me, Barbara Ehrenreich<br />
(2001) wonders if in some versions of <strong>the</strong> prevailing gender ideology,<br />
“femininity is by its nature incompatible with full adulthood—a state<br />
of arrested development.” “Certainly,” she writes, “men diagnosed with<br />
prostate cancer do not receive gifts of Matchbox cars” (p. 46). Here<br />
Ehrenreich identifi es (although she doesn’t elaborate on) what I think<br />
is a key tension in mainstream breast cancer survivor culture: On <strong>the</strong><br />
one hand breast cancer survivors are celebrated for <strong>the</strong>ir courage and<br />
strength and urged to feel empowered as actors within <strong>the</strong> medical<br />
system, but on <strong>the</strong> o<strong>the</strong>r <strong>the</strong>y are asked to submit to mainstream scientifi<br />
c knowledge and depend on doctors and scientists to protect <strong>the</strong>m<br />
from death. They—and <strong>the</strong> public at large—are told to obtain regular<br />
screenings, to demand insurance coverage for mammograms, and to<br />
explore a range of treatment options, but <strong>the</strong>y are discouraged from<br />
questioning <strong>the</strong> underlying structures and guiding assumptions of <strong>the</strong><br />
cancer-industrial complex.<br />
While some feminist voices do raise such questions—What does cause<br />
breast cancer if only 30% of women diagnosed have known risk factors?<br />
If mammography, chemo<strong>the</strong>rapy, and radiation have not succeeded<br />
in bringing down morality rates, what might? Why are more efforts<br />
not made to fund research into cause and prevention and particularly<br />
environmental factors in breast cancer incidence?—<strong>the</strong>se voices, as I<br />
have indicated, are largely excluded from <strong>the</strong> mainstream of breast<br />
cancer culture. And while research on women’s experiences with breast<br />
cancer suggests a wide range of psychological responses to <strong>the</strong> disease<br />
(in o<strong>the</strong>r words, <strong>the</strong> dominant image of breast cancer as <strong>the</strong> route to<br />
true happiness is not borne out by <strong>the</strong> research) <strong>the</strong> heterogeneity of<br />
<strong>the</strong>se experiences does not easily penetrate dominant discourse on <strong>the</strong><br />
disease and <strong>the</strong> approach of <strong>the</strong> cancer establishment to it.