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136<br />
kristin a. swenson<br />
and don’t enjoy <strong>the</strong> things you once loved.” This ad demonstrates that<br />
<strong>the</strong> symptoms of anxiety are subordinated to those of depression. This<br />
inversion suggests an alteration not only in a shift of affective symptoms<br />
but also a historical transformation in <strong>the</strong> experience of <strong>the</strong> depressed.<br />
With tranquilizers such as Miltown and later Valium, <strong>the</strong> agitated,<br />
threatening, and discontented woman was sedated to keep her in <strong>the</strong><br />
proper role of mo<strong>the</strong>r, homemaker, and wife. With antidepressants,<br />
<strong>the</strong> depressed is uplifted and energized to maintain her productivity<br />
in all her roles from wage earner to caretaker.<br />
The medical treatment of depression was transformed by <strong>the</strong> social<br />
changes in <strong>the</strong> labor force, essentially targeting female workers as <strong>the</strong><br />
main market for antidepressants. As <strong>the</strong> workplace incorporated women,<br />
and <strong>the</strong> responsibilities of work was not just to perform job tasks, but also<br />
to fulfi ll requirements that previously existed only in <strong>the</strong> social sphere,<br />
<strong>the</strong> workplace had also to incorporate a particular form of subjectivity<br />
embodied in <strong>the</strong> medicated depressed woman. As a result, depression<br />
can be understood as productive for capital in two ways at once: fi rst,<br />
through <strong>the</strong> pharmaceutical industry, in <strong>the</strong> production and consumption<br />
of chemical treatments; and second, through <strong>the</strong> production of<br />
new forms of subjectivity. I contend that <strong>the</strong> depressive, by caring for<br />
<strong>the</strong> self through medication, has become <strong>the</strong> ideal productive worker<br />
in <strong>the</strong> now feminized sphere of paid work.<br />
This chapter argues that <strong>the</strong> relation between women, work, and<br />
depression reveals <strong>the</strong> changing status of work; <strong>the</strong> process by which<br />
women have been incorporated into wage labor; how labor has altered<br />
to reflect feminine characteristics; and <strong>the</strong> form of self-governance<br />
required to participate in today’s labor force. To this end, I briefly<br />
discuss Michel Foucault’s (1990) concept of a “discipline society” and<br />
Gilles Deleuze’s (1995) notion of a “control society” to understand <strong>the</strong><br />
historical shift in work from <strong>the</strong> production of goods to <strong>the</strong> production<br />
of services. Next, <strong>the</strong> Marxist political <strong>the</strong>orist Antonio Negri (1992)<br />
is deployed for his argument that explains how collective social moments<br />
are subsumed by capital over time. The history of predominantly White<br />
married women’s entrance into <strong>the</strong> labor force in <strong>the</strong> 1950s demonstrates<br />
<strong>the</strong> process by which women and <strong>the</strong>ir qualities—including<br />
depression—were subsumed into wage labor. These qualities are <strong>the</strong>n<br />
“put to work” and are now considered <strong>the</strong> primary requirements for<br />
today’s employee as illustrated through a reading of <strong>the</strong> highly rated<br />
reality television show The Apprentice. In today’s labor force, depression<br />
encourages a form of self-governance that is <strong>the</strong> kernel of <strong>the</strong><br />
subjective experience of both men and women in contemporary professional<br />
work.