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Biopolitical Media 187<br />
Rogers 2000; Vaughn et al., 2000). A program carefully researched and<br />
designed to promote <strong>the</strong> values of gender equality, sexual responsibility,<br />
and environmental protection, Twende na Wakati became an important<br />
case study in <strong>the</strong> emerging fi eld of entertainment-education (Keyser,<br />
2000) and <strong>the</strong> template of PCI’s approach to mass media public health<br />
communication.<br />
This chapter investigates <strong>the</strong> media production practices of PCI in<br />
order to inquire into <strong>the</strong> role of mass mediated public health campaigns<br />
in governing reproductive health. The network of professional expertise<br />
represented by PCI media productions often seem “exempt from a<br />
critical interrogation of <strong>the</strong>ir motives because <strong>the</strong>ir communication<br />
campaigns are aimed at increasing <strong>the</strong> social good” (McKinley & Jensen,<br />
2003, p. 183). Perhaps what prevents <strong>the</strong> critical challenge from gaining<br />
traction is <strong>the</strong> idea that a critical intervention must challenge <strong>the</strong><br />
motives of <strong>the</strong> participants in <strong>the</strong>se communication campaigns. Ra<strong>the</strong>r<br />
than focusing on motives, <strong>the</strong>n, our critical intervention challenges <strong>the</strong><br />
methods by which PCI produces soap operas. We interrogate PCI’s media<br />
production practices to highlight how <strong>the</strong> governing of female bodies<br />
takes place in and through <strong>the</strong>ir attachment to specifi c communicative<br />
networks populated by a shifting set of cultural industries, workers,<br />
experts, and genres. Specifi cally, we demonstrate that <strong>the</strong> governance<br />
of women’s reproductive and sexual health relies on <strong>the</strong> ability of biopolitical<br />
media industries to transform women into media audiences.<br />
Entertainment Education and <strong>the</strong> Genres of Governance<br />
The idea that mass mediated communication may function as an instrument<br />
of economic and social development has been around for some<br />
time. Daniel Lerner’s (1958) Passing of <strong>the</strong> Traditional Society: Modernizing<br />
<strong>the</strong> Middle East was an early effort to forge an explicit link between<br />
communication research and development strategies. Followed by Wilbur<br />
Schramm’s (1964) Mass Media and National Development, <strong>the</strong>y conceived<br />
<strong>the</strong> mass media as an instrument for <strong>the</strong> diffusion of development<br />
decisions from centralized governing structures to <strong>the</strong> people “on <strong>the</strong><br />
ground” Also, in <strong>the</strong> 1960s Everett Rogers (1962) emphasized <strong>the</strong> role<br />
of <strong>the</strong> media in <strong>the</strong> diffusion of innovations necessary to jump-start<br />
<strong>the</strong> change from a traditional society to a modern one. For Lerner,<br />
Schramm, and Rogers <strong>the</strong> goals of development were to be promoted<br />
through <strong>the</strong> interaction of mass media and literacy to generate support<br />
for innovations such as birth control technologies associated with<br />
modernization. Unfortunately, <strong>the</strong> optimism associated with <strong>the</strong> link<br />
between development and communication in <strong>the</strong> 1960s ran into diffi -