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240<br />
karen throsby<br />
want to be . . . I mean, we did get obsessive, but I didn’t want to be<br />
one of <strong>the</strong>se completely obsessive people that that’s all <strong>the</strong>y live for.<br />
And we had to have some sort of . . . reality. You know, we had to<br />
have some sort of life. Although it did take over, that sort of three<br />
seemed . . . I don’t know. Three just seemed a good control number,<br />
a good sort of, you know, that’s your best shot.<br />
The hyperbolic caricature of <strong>the</strong> aging woman doggedly pursuing<br />
endless cycles of treatment featured regularly in <strong>the</strong> accounts, and<br />
her rhetorical function here is as <strong>the</strong> irrational, out-of-control O<strong>the</strong>r<br />
against which Susan’s moderation can be defined. Importantly, what<br />
actually constitutes desperation is indefinable in objective terms;<br />
instead, what matters is <strong>the</strong> discursive mobilization of <strong>the</strong> excessive “not<br />
me.” Therefore, for some of <strong>the</strong> participants, three was posited as excessive<br />
and desperate; for ano<strong>the</strong>r of <strong>the</strong> participants, Katy, on <strong>the</strong> o<strong>the</strong>r<br />
hand, her plan to undergo six cycles was a sign of strength, not<br />
weakness, describing herself as “not a giver-upper,” with far higher<br />
numbers of cycles signifying desperation. Desperation, <strong>the</strong>n, constitutes<br />
a discursive resource through which <strong>the</strong> participants were<br />
able to construct <strong>the</strong>ir own engagement with treatment as enough,<br />
but not too much—a fine balance to strike, and one that is not at<br />
all stable, requiring constant maintenance and negotiation. That this<br />
discursive work is necessary highlights <strong>the</strong> surveillance and discipline<br />
to which <strong>the</strong> women were subjected to, both by <strong>the</strong>mselves and by<br />
o<strong>the</strong>rs.<br />
The number of treatment cycles was not <strong>the</strong> only site for this discursive<br />
work, and particular kinds of treatment were also mobilized as<br />
signifying desperation, leading to an unnatural degree of intervention. 7<br />
In this context, “designer babies,” sex selection for social reasons,<br />
large multiple births, and <strong>the</strong> use of IVF by postmenopausal women<br />
constituted abnormal uses of <strong>the</strong> technology, which were perceived to<br />
be sullying <strong>the</strong>ir own more “normal” uses of it:<br />
Robert: It was natural . . . it was just <strong>the</strong> mechanics of it that were<br />
assisted. It wasn’t like cloning a sheep, or growing ears on <strong>the</strong> backs<br />
of mice, or things like that.<br />
Tim complained that <strong>the</strong> more newsworthy cases “give us IVF-ers a<br />
bad name,” laying claim to a biosocial community of “normal” users of<br />
IVF to shore up <strong>the</strong> construction of his and his wife Katy’s own engagement<br />
with IVF as normal, natural, and morally unproblematic.<br />
Importantly, no male counterpart correlates to <strong>the</strong> desperate infertile