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Disciplining <strong>the</strong> Ethnic <strong>Body</strong> 225<br />

corporeality without ever encountering actual Latina and Latinos or<br />

Latina and Latino bodies or culture. Moreover, given <strong>the</strong> contradictions<br />

and globalization of <strong>the</strong> capitalist marketplace, few Latina and<br />

Latinos and even fewer Latin American men and women can afford<br />

to buy <strong>the</strong>se globally commodifi ed artifacts of Latinidad, even though<br />

many of <strong>the</strong>m take part in <strong>the</strong>ir production. Investigating <strong>the</strong> production<br />

and mobilization of a gendered Latinidad as implicated in <strong>the</strong> global<br />

marketing and <strong>the</strong> manufacture of global corporealities is important.<br />

Contemporary discourses of Latinidad draw on historical types and<br />

classifi cations of Latina bodies through a system of difference even while<br />

it engages Latinidad to sell products in <strong>the</strong> global marketplace through<br />

standardization. While this contemporary proliferation of Latina bodies<br />

may open spaces for new formations, vocality, and action, <strong>the</strong>y never<strong>the</strong>less<br />

build on a history of “tropicalization,” exoticization, racialization,<br />

and sexualization of Latina bodies—of Latina bodies as foreign, out<br />

of control, and threatening to social order, <strong>the</strong> body politic, and <strong>the</strong><br />

health of <strong>the</strong> country.<br />

The fi ctional representations of Latina sexual excess and bodily<br />

contamination often reaffi rm public health discourses. Maria Ruiz’s<br />

work (1996, 2000) analyses <strong>the</strong> overlap between Hollywood fi lm and U.S.<br />

health concerns, especially as demonstrated through health pamphlets<br />

and videos aimed at <strong>the</strong> Latina and Latino population. Contemporary<br />

hysteria about immigrants and migrant workers often single out <strong>the</strong><br />

potentially infectious pathogens carried by “illegal” border crossers.<br />

Marie Leger and Maria Ruiz (in press) warn that “<strong>the</strong> symbolic and<br />

material convergence of blood, borders, and bodies in <strong>the</strong> context of<br />

Latino cultural commodities and movement across national borders . . .<br />

highlight contradictions in <strong>the</strong> contemporary status of Latinos in <strong>the</strong><br />

U.S.” Thus, while Latina and Latino bodies are commodifi ed and desired<br />

within mainstream cultural products, <strong>the</strong>y are simultaneously labeled as<br />

dangerous to <strong>the</strong> stability of U.S. national identity and as a result Latinas<br />

and Latinos are politically and economically marginalized through<br />

federal, state, and local government policies.<br />

Consequently public policy discourses often position <strong>the</strong> Latina<br />

and Latino population as mostly immigrant, inherently diseased and<br />

sexually uncontrollable, a discourse of bodily pathology that affirms<br />

many of <strong>the</strong> Hollywood representations discussed in this chapter. Not<br />

coincidentally, <strong>the</strong> demographic increase in <strong>the</strong> Latina and Latino<br />

population is often framed as a public health problem. Indeed Ruiz<br />

(2000) documents that <strong>the</strong> Latina population is often constructed as<br />

a threat to dominant U.S. national identity because of <strong>the</strong> relatively<br />

high birth rate of Latinas as compared to o<strong>the</strong>r segments of <strong>the</strong> U.S.

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