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108<br />
samantha king<br />
again, this is in large part because <strong>the</strong> “type” of woman that breast<br />
cancer is imagined to strike is not always already an object of suspicion<br />
and hatred.<br />
What becomes apparent through this analysis of survivorship, breast<br />
cancer culture, and corporate philanthropy, <strong>the</strong>n, is that nothing is inherently<br />
uncontroversial about breast cancer. Instead, <strong>the</strong> disease has been<br />
manufactured as such over two decades of organizing that has gradually<br />
been incorporated into conservative political agendas, <strong>the</strong> programs of<br />
large nonprofi ts in partnerships with <strong>the</strong> cancer industries, and corporate<br />
marketing strategies. The challenge thus becomes to disrupt <strong>the</strong> tyranny<br />
of cheerfulness that presides over breast cancer culture at this time so<br />
that those struggles and controversies that are at present pushed to <strong>the</strong><br />
margins of discourse on <strong>the</strong> disease might fi nd center stage and thus<br />
enable a more rigorous assessment of <strong>the</strong> status quo.<br />
Notes<br />
1. Extensive media coverage of <strong>the</strong> biology of breast cancer, methods of detection,<br />
available treatment options, and <strong>the</strong> psychological impact of losing a breast,<br />
followed <strong>the</strong>ir announcements.<br />
2. NABCO, which closed its doors in 2004, was formed to provide “information,<br />
assistance, and referral to anyone with questions about breast cancer” and act<br />
“as a voice for <strong>the</strong> interests and concerns of breast cancer survivors and women<br />
at risk” (www.nabco.org). The NBCC was created from an initial meeting of<br />
75 groups, including Breast Cancer Action of San Francisco, <strong>the</strong> Women’s<br />
Community Cancer Project of Cambridge, and <strong>the</strong> Washington, DC-based<br />
Mary Helen Mautner Project for Lesbians with Breast Cancer.<br />
3. I use <strong>the</strong> term corporate philanthropy to refer both to <strong>the</strong> activities of fund-raising<br />
organizations that rely on partnerships with businesses to support <strong>the</strong>ir work<br />
and to <strong>the</strong> philanthropic activities of businesses, which are increasingly tied<br />
to corporate strategy (i.e., growth and profi t-making).<br />
4. Cause-related marketing is a strategy by which corporations or brands<br />
associate <strong>the</strong>mselves with a social cause such as breast cancer, child literacy,<br />
or homelessness. Most often, <strong>the</strong> association takes <strong>the</strong> form of donating a<br />
percentage of <strong>the</strong> profi ts on a particular product to a cause, but it can also<br />
take <strong>the</strong> form of free advertising (<strong>the</strong> National Football League pays for<br />
commercials promoting <strong>the</strong> Race for <strong>the</strong> Cure, for instance), or sponsorship of<br />
fund-raising events (Lee Jean’s Denim Day, for instance, on which employees<br />
in participating companies pay $5 to <strong>the</strong> Komen Foundation in return for<br />
being permitted to wear jeans to work).<br />
5. This section of <strong>the</strong> chapter is based on research conducted over <strong>the</strong> past 4 years.<br />
During this time, I attended Race for <strong>the</strong> Cure events in Illinois; Washington,<br />
DC; and Arizona, at which I took fi eld notes and photographs, made tape<br />
recordings of speeches and ceremonies, and talked with participants and<br />
volunteers. I have also followed and occasionally taken part in discussions<br />
on <strong>the</strong> Komen Foundation’s Talk Back online message boards and collected<br />
<strong>the</strong>ir publicity materials, newsletters, and annual reports. In addition to <strong>the</strong>se<br />
sources, I have collected print media coverage of <strong>the</strong> Race for <strong>the</strong> Cure from<br />
1983 to <strong>the</strong> present.