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the Female Body GOVERNING

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288<br />

ingrid holme<br />

no evolutionary reason to expect differential expression of paternally<br />

and maternally inherited genes that affect <strong>the</strong> fi tness of grand-offspring<br />

through maternal care behavior.” The article concludes by pointing out<br />

that o<strong>the</strong>r issues must be drawn on to explain imprinting of genes that<br />

infl uence maternal care (p. 1167a).<br />

The fi ndings of both <strong>the</strong>se imprinting examples related to <strong>the</strong> size<br />

of <strong>the</strong> offspring and <strong>the</strong> idea of nurturing having a genetic “cause,” and<br />

are clearly politically and emotionally powerful. The genetic confl ict<br />

<strong>the</strong>ory views <strong>the</strong> “genetic battle” in terms of having evolved to control<br />

sex-specifi c gene expression in early embryos, and some researchers have<br />

expanded its impact to later developmental stages where <strong>the</strong> offspring<br />

is still reliant on parental protection.<br />

What <strong>the</strong> story about imprinting tells us is how new biological knowledge<br />

easily gets interpreted in terms of old social tropes, such as <strong>the</strong><br />

“battle between <strong>the</strong> sexes.” The idea that paternal imprinting aims to<br />

render <strong>the</strong> fetus large or female fetuses nurturing is culturally appealing<br />

because it conforms to a cultural idea of “what men want” as well as<br />

<strong>the</strong> populist idea of genetics and evolution in terms of “selfi sh” genes<br />

propagated by Richard Dawkins (2006). However, imprinting can also<br />

be seen as a molecular process that enables diploid cells to express<br />

only one copy of a gene, where <strong>the</strong> expression of both copies would<br />

have resulted in overabundance of <strong>the</strong> gene product. This indicates a<br />

mutually benefi cial outcome for both paternal and maternal points of<br />

view. Fur<strong>the</strong>rmore, what is interesting about imprinting is that it, again,<br />

highlights that DNA sequences tell us only part of <strong>the</strong> story because cells<br />

do not use all <strong>the</strong>ir genes all <strong>the</strong> time and that <strong>the</strong> way <strong>the</strong>y use <strong>the</strong>ir<br />

genes varies among tissues and during <strong>the</strong> organism’s life cycle. Thus,<br />

<strong>the</strong> truly novel idea of viewing <strong>the</strong> meaning and role of genes not as<br />

part of a stand-alone blueprint, but as pieces of <strong>the</strong> genetic and cellular<br />

processes, becomes lost in <strong>the</strong> ra<strong>the</strong>r stale stories about sex wars and<br />

weaponry.<br />

From Genetic Sex to Living Sex<br />

In <strong>the</strong> end, new genomic knowledge that might challenge old notions of<br />

sex determination is seemingly interpreted within old social discourses<br />

underpinned by <strong>the</strong> binary sex model. Perhaps new metaphors are<br />

required to replace <strong>the</strong> existing ones, such as “switching on and off” and<br />

“silencing” or “battle between <strong>the</strong> sexes.” Porta (2003) has suggested<br />

that ra<strong>the</strong>r than describe DNA in terms of blueprint we should think<br />

of it as a “jazz score,” which ra<strong>the</strong>r than determine performance leaves

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