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Regulation through Postfeminist Pharmacy 115<br />
Although one can identify a variety of disciplinary techniques and<br />
strategies in <strong>the</strong> contemporary West, Foucault’s later observations<br />
about <strong>the</strong> art of government seem prescient as ours has increasingly<br />
become a society of control and self-surveillance, comprising multiple<br />
governing apparatuses that are not necessarily working in concert with<br />
a nation-state. This is not to say that disciplinarity has disappeared;<br />
institutions that house obvious disciplinary apparatuses—schools,<br />
prisons, churches—certainly remain. Ra<strong>the</strong>r, <strong>the</strong> move toward a society<br />
of control and self-discipline represents a contemporary horizontalization<br />
of disciplinarity, as <strong>the</strong> recognizable signifi cance of institutions and<br />
traditional ensembles of sovereignty (e.g., <strong>the</strong> nation-state) erode.<br />
The move toward <strong>the</strong> immanence of self-surveillance and discipline<br />
is intimately caught up in globalization. “The establishment of a global<br />
society of control that smoo<strong>the</strong>s over <strong>the</strong> striate of national boundaries,”<br />
argue Hardt and Negri (2000, p. 332), “goes hand in hand with <strong>the</strong><br />
realization of <strong>the</strong> world market and <strong>the</strong> real subsumption of global<br />
society under capital.” In light of <strong>the</strong> achievement of a nontranscendent,<br />
transnational capitalism, Foucault’s understanding of governmental<br />
rationality asks us to consider several types of governance or regulation<br />
that are not necessarily articulated to traditional political institutions.<br />
In o<strong>the</strong>r words, government does not concern itself with overt political<br />
entities as much as it concerns itself with <strong>the</strong> conduct of human behavior,<br />
or <strong>the</strong> “conduct of conduct,” in more general terms. Greene (1999) has<br />
suggested that in contemporary society <strong>the</strong> art of government is best<br />
described as an “abstract form of power materialized in <strong>the</strong> production<br />
of rules, procedures, and norms that judge and regulate <strong>the</strong> behaviors of<br />
a population,” which, in turn, “transforms <strong>the</strong> possibilities for conduct”<br />
through <strong>the</strong> supplication of spaces for performance and <strong>the</strong> demarcation<br />
of limits (p. 3). Governmentality refers to a productive and regulating<br />
form of power that has become “less limited and bounded spatially in<br />
<strong>the</strong> social fi eld” even though governing apparatuses operate by marking<br />
abstract or mental spaces of possibility—of potential conduct (Hardt &<br />
Negri, 2000, p. 330).<br />
The nation-state can be said to comprise a governing apparatus that<br />
is no longer as powerful or prominent as <strong>the</strong> multiplicity of governing<br />
apparatuses that regulate consumerist populations (vis-à-vis a citizenry).<br />
The new articulations of <strong>the</strong> gyniatric apparatus govern particular<br />
female consumers as well. Before we describe <strong>the</strong> newer articulations of<br />
<strong>the</strong> gyniatric apparatus, however, it is helpful to describe <strong>the</strong> elements<br />
and function of a governing apparatus in general, how <strong>the</strong> governing<br />
apparatus operates as a constantly changing and evolving mechanism of<br />
deployment, or a dispositif, working to secure <strong>the</strong> welfare of a popula-