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Journal of Italian Translation - Brooklyn College - Academic Home ...

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An award-winning poet and fiction writer, she started writing<br />

in her twenties and her work appeared in several magazines<br />

before being published in the three-poet collection AUP New Poets<br />

1 (1999). In 1999 she was highly commended in the Landfall essay<br />

competition, and her fiction was included in the anthology The<br />

Picnic Virgin (1999). Family and domestic life soon became her<br />

main interest and also the subject <strong>of</strong> her first “solo” book, The Long<br />

Road to Teatime (2000). In 2001 she was named Waikato University<br />

Writer in Residence and published the Pastoral Kitchen (2001) whose<br />

themes in part were inspired by the pastoral locations from her<br />

time in Hamilton. Later on in Catullus for Children (2003) and The<br />

Gas Leak (Auckland: Auckland University Press, 2006) she returned<br />

to themes <strong>of</strong> domestic life.<br />

The following poems are from her latest book, Thicket, published<br />

this year by Auckland University Press. Jackson’s fifth<br />

collection <strong>of</strong> poetry has been described as “an accomplished book<br />

from a poet <strong>of</strong> unease, who constantly turns her attention to the<br />

brambled path, the track less-followed, the subterranean presences<br />

in everyday life.”<br />

In deceivingly simple, colloquial language Jackson subtly<br />

captures the “unknown unknowns” <strong>of</strong> life as we <strong>of</strong>ten fail to see<br />

it – an unexpected song or unheard voice; a smashed glass or a<br />

glassy lake; a giddy potato or a rebellious ghostess; a paper trail<br />

or a paper knife. This is the catalogue <strong>of</strong> Jackson’s imagination and<br />

her poetry is constantly poised between the virtuosity <strong>of</strong> an aria<br />

and an earth-bound recitative; between the thrill <strong>of</strong> a light-headed<br />

vision and the realization <strong>of</strong> a curious mind.<br />

The confessional voice and hybrid style <strong>of</strong> this poet are particularly<br />

challenging for the translator – whoever travels through<br />

the highway <strong>of</strong> Jackson’s poetry must expect hairpin bends.

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