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Journal of Italian Translation - Brooklyn College - Academic Home ...

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<strong>Journal</strong> <strong>of</strong> <strong>Italian</strong> <strong>Translation</strong><br />

in school became successful poets. All they had to do was operate<br />

Marinetti’s pre-assembled machine and send the final product<br />

to periodicals such as Italia Futurista or Lacerba. Thus, instead <strong>of</strong><br />

limiting ourselves to the inventors (Marinetti, Folgore, S<strong>of</strong>fici) we<br />

decided to also include a few <strong>of</strong> the “minori” practitioners.<br />

See, for instance, this passage by Bruno Sanzin, who at age 15<br />

joined the ranks <strong>of</strong> the futurists by sending an enthusiastic letter<br />

to F.T. himself (who later included him in the movement’s second<br />

anthology “Nuovi Poeti Futuristi,” 1925):<br />

pim<br />

pam pic<br />

pumpac<br />

random little bangs<br />

mad color joy red-white-yellow-green-purple flowers<br />

absorbed by the black night spring happiness<br />

dance <strong>of</strong> multicolored girls on the stage <strong>of</strong> the sky<br />

an airplane silently slips by searching for new paths<br />

Finally, we were able to include a “parolibero” text by Fortunato<br />

Depero. We found the original typescript in the marvellous<br />

collection <strong>of</strong> Futurist papers held at the Getty Research Institute<br />

in Los Angeles. It is, to the best <strong>of</strong> our knowledge, published here<br />

for the first time. We would like to take this opportunity to thank<br />

the gracious staff <strong>of</strong> the Getty, who makes the trip up that hill a<br />

rare treat.<br />

Gianluca Rizzo and Dominic Siracusa<br />

218

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