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Journal of Italian Translation - Brooklyn College - Academic Home ...

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<strong>Journal</strong> <strong>of</strong> <strong>Italian</strong> <strong>Translation</strong><br />

Before the War<br />

Seeing his mother coming home<br />

he kneels behind a parked car,<br />

one hand over his mouth to still<br />

his breathing. She passes, climbs<br />

the stairs, and again the street is his.<br />

We’re in an American city, Toledo,<br />

sometime in the last century, though<br />

it could be Buffalo or Flint,<br />

the places are the same except<br />

for the names. At eight or nine,<br />

even at eleven, kids are the same,<br />

without an identity, without a soul,<br />

things with bad teeth and bad clothes.<br />

We could give them names, we could<br />

name the mother Gertrude and give her<br />

a small <strong>of</strong>fice job typing bills <strong>of</strong> lading<br />

eight hours a day, five and a half<br />

days a week. We could give her<br />

dreams <strong>of</strong> marriage to the boss<br />

who’s already married, but we<br />

don’t because she loathes him.<br />

It’s her son, Sol, she loves,<br />

the one still hiding with one knee<br />

down on the concrete drawing<br />

the day’s last heat. He’s got feelings.<br />

Young as he is, he can feel heat,<br />

cold, pain, just as a dog would<br />

and like a dog he’ll answer<br />

to his name. Go ahead, call him,<br />

“Hey, Solly, Solly boy, come here!”<br />

He doesn’t bark, he doesn’t sit,<br />

he doesn’t beg or extend one paw<br />

in a gesture <strong>of</strong> submission.<br />

He accepts his whole name, even<br />

as a kid he stands and faces us,<br />

just as eleven years from now<br />

he’ll stand and face his death<br />

flaming toward him on a bridgehead<br />

at Remagen while Gertrude<br />

goes on typing mechanically<br />

into the falling winter night.<br />

320

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