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Journal of Italian Translation - Brooklyn College - Academic Home ...

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Poems by Roberto Pazzi<br />

Translated by Paul D’Agostino<br />

Paul D’Agostino holds a PhD in <strong>Italian</strong> literature and is<br />

Adjunct Assistant Pr<strong>of</strong>essor <strong>of</strong> <strong>Italian</strong> at CUNY <strong>Brooklyn</strong> <strong>College</strong>,<br />

where he also works in the Art Department as a writing advisor.<br />

He writes in and translates among a number <strong>of</strong> different languages,<br />

primarily <strong>Italian</strong>, German, French, Spanish and English, and he is<br />

Assistant Editor <strong>of</strong> <strong>Journal</strong> <strong>of</strong> <strong>Italian</strong> <strong>Translation</strong> and Contributing<br />

Editor at The L Magazine. He also runs Centotto, an art gallery in<br />

Bushwick, <strong>Brooklyn</strong>, and is co-founder <strong>of</strong> a new project devoted<br />

to art writing, After Vasari.<br />

A resident <strong>of</strong> Ferrara, Roberto Pazzi is a writer <strong>of</strong> poetry,<br />

prose and journalism whose works have been translated into dozens<br />

<strong>of</strong> languages. Calma di vento, Il filo delle bugie and La gravità dei<br />

corpi are a few <strong>of</strong> his collections <strong>of</strong> poetry, and Il Signore degli occhi,<br />

L’erede, Conclave and La città volante are his most recent novels. He<br />

has won or been nominated for dozens <strong>of</strong> writing prizes, including<br />

the Hemingway Prize, the Premio Internazionale E. Montale,<br />

the Premio Bergamo, the Premio Selezione Campiello, the Premio<br />

Strega, the Superpremio Grinzane Cavour, the Superpremio<br />

Penne-Mosca and the Premio SuperFlaiano. He was the director <strong>of</strong><br />

Ferrara Letteratura, and after twelve years <strong>of</strong> writing exclusively<br />

for the Corriere della sera, he now writes for a number <strong>of</strong> different<br />

periodicals including Il Resto del Carlino, La Nazione, Il Giorno and<br />

The New York Times.

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