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Routledge History of Philosophy Volume IV

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RENAISSANCE AND SEVENTEENTH-CENTURY RATIONALISM 31<br />

analyses <strong>of</strong> themes—metaphysical and epistemological as well as moral—which<br />

ran through the entire corpus.<br />

Humanists quickly began to take account <strong>of</strong> Ficino’s work, which inspired new<br />

interpretations <strong>of</strong> classical literature. Crist<strong>of</strong>oro Landino (1425–98) used Ficino’s<br />

philosophical ideas in his exegesis <strong>of</strong> Vergil’s Aeneid, which he saw as a<br />

Platonic allegory <strong>of</strong> the soul’s journey from sensuality and hedonism,<br />

symbolized by Troy, to a life <strong>of</strong> divine contemplation, represented by Italy. 88<br />

Ficino was himself influenced by humanists, sharing many <strong>of</strong> their prejudices<br />

about contemporary scholastics, whom he referred to as ‘lovers <strong>of</strong> ostentation’<br />

(philopompi) rather than ‘lovers <strong>of</strong> wisdom’ (philosophi). Like Bruni and<br />

Poliziano, Ficino accused so-called Aristotelians <strong>of</strong> not understanding the texts<br />

they pr<strong>of</strong>essed to expound, reading them as they did in barbarous medieval<br />

translations. He also displayed a humanistic distaste for the logical nitpicking to<br />

which scholastics were addicted, leaving them little time, he felt, for more<br />

serious philosophical endeavour. 89<br />

Not that Ficino was a stranger to scholastic Aristotelianism. His early<br />

university training in logic, natural philosophy and medicine gave him a<br />

thorough grounding in Aristotle, Averroes and Avicenna, not to mention more<br />

recent writers such as Paul <strong>of</strong> Venice. Although he soon turned against most <strong>of</strong><br />

the ideas and doctrines associated with this tradition, it left a lasting impact on<br />

his terminology and method <strong>of</strong> argument: there is a definite scholastic feel about<br />

the presentation <strong>of</strong> most <strong>of</strong> his treatises. 90 De vita libri tres (1489), Ficino’s most<br />

popular work, contains many scholastic elements. Book II, on methods <strong>of</strong><br />

prolonging life, borrows liberally from the thirteenth-century English Franciscan<br />

Roger Bacon; Book III deals with medical astrology, as transmitted to the<br />

medieval West by Arabic thinkers, and also develops a theory <strong>of</strong> magic based on<br />

the doctrine <strong>of</strong> substantial form elaborated by Thomas Aquinas and other<br />

scholastics. 91 Even in his Platonic commentaries scholastic ideas <strong>of</strong>ten make an<br />

appearance: his defence <strong>of</strong> the superiority <strong>of</strong> the intellect to the will in the<br />

Philebus is taken verbatim from Thomas. 92<br />

Although significant, this scholastic strain in Ficino’s work was overshadowed<br />

by ancient Neoplatonism. The philosopher whom he most revered after Plato<br />

was Plotinus, the founder <strong>of</strong> Neoplatonism, whose Enneads he translated and<br />

commented upon. He also translated works by Proclus, Iamblichus, Porphyry and<br />

Synesius, all <strong>of</strong> whom helped to shape his understanding <strong>of</strong> the Platonic<br />

corpus. 93 By promoting Neoplatonic interpretations, already ventilated to a<br />

certain extent by Bessarion, Ficino altered the Western perception <strong>of</strong> Plato,<br />

transforming him from a wise moral philosopher into a pr<strong>of</strong>ound metaphysician.<br />

It was Plotinus who first systematized Platonic ontology, dividing reality into<br />

a series <strong>of</strong> hierarchical levels <strong>of</strong> being or hypostases, extending from the highest,<br />

the transcendent One, which was above being, to the lowest, matter, which was<br />

below it. This metaphysical scheme was taken over, with various modifications,<br />

by the later Neoplatonists, who used it, as Plotinus had done, to explain the<br />

deepest layers <strong>of</strong> meaning in the dialogues. Proclus, for instance, saw the

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