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A thesis submitted in partial fulfilment of - Etheses - Queen Margaret ...

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ma<strong>in</strong>stream culture and the way it portrays us, it is almost <strong>in</strong>evitable that people will<br />

have a level <strong>of</strong> false consciousness around impairment and disability… and around<br />

their own experiences <strong>in</strong> society… right… what really annoys me, though, is it‟s not<br />

actually <strong>in</strong>evitable… you don‟t have to live <strong>in</strong> that state <strong>of</strong> false consciousness for all<br />

your life… you can break free from it… (l.1:861ff.)<br />

While other participants act out the disabled role by resist<strong>in</strong>g identification as disabled, Mary<br />

rejects the disabled role as ideological imposition. In affirm<strong>in</strong>g her identity as a woman with<br />

a visual impairment, she transcends the disabled role by refus<strong>in</strong>g to recognise impairment as<br />

someth<strong>in</strong>g to distance herself from. This does not mean that all <strong>of</strong> a sudden her life is<br />

wonderful, but it does mean she can understand her situation <strong>in</strong> a new light.<br />

Unwanted <strong>in</strong>terference<br />

The paradoxical nature <strong>of</strong> disability is reflected <strong>in</strong> the fact that, while the experience <strong>of</strong><br />

isolation has been identified as a major source <strong>of</strong> tension, so also is unwanted <strong>in</strong>terference.<br />

This can be experienced <strong>in</strong> many ways: receiv<strong>in</strong>g sympathy from relatives or family<br />

members; pity<strong>in</strong>g glances, comments and overly helpful <strong>of</strong>fers <strong>of</strong> assistance from strangers;<br />

pr<strong>of</strong>essional <strong>of</strong>ficiousness and condescension.<br />

Rose talks <strong>of</strong>:<br />

an aunty <strong>of</strong> my husband‟s who always comes on the phone and says (<strong>in</strong> overly<br />

sympathetic tones) “How are you dear? And how are you manag<strong>in</strong>g? Oh, you‟re so<br />

brave…” (l.1.615ff.)<br />

In these remarks, her ex-husband‟s aunt re-states the respective roles <strong>in</strong>volved <strong>in</strong> be<strong>in</strong>g<br />

disabled and non-disabled. Rose f<strong>in</strong>ds herself cast <strong>in</strong>, and unable to move beyond, the<br />

identity <strong>of</strong> sufferer. I did not ask Rose but, as she is <strong>in</strong> her fifties, presumably her ex-<br />

husband‟s aunt will be at least <strong>in</strong> her seventies. In terms <strong>of</strong> social roles, this <strong>in</strong>volves a<br />

reversal <strong>of</strong> the relationship she might ord<strong>in</strong>arily be expected to have with an older lady.<br />

Helen talks <strong>of</strong> receiv<strong>in</strong>g what she considers <strong>in</strong>appropriate sympathy from her grandmother:<br />

...it‟s also seen as really tragic if you‟ve got someth<strong>in</strong>g wrong with you when you‟re<br />

young… and the th<strong>in</strong>g is, to me, I don‟t… I can‟t imag<strong>in</strong>e be<strong>in</strong>g another person,<br />

because this is all I know… I don‟t see it as a tragedy, I just see it as a fact <strong>of</strong> life<br />

that I‟ve got to get on with… and I do not want people feel<strong>in</strong>g sorry for me… cos<br />

that doesn‟t help anyone, it‟s just annoy<strong>in</strong>g… I am who I am, and you go<strong>in</strong>g “Oh,

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