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A thesis submitted in partial fulfilment of - Etheses - Queen Margaret ...

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Chapter 6: Media Representations<br />

Introduction<br />

In carry<strong>in</strong>g out unstructured <strong>in</strong>terviews on media representations <strong>of</strong> disability I aimed to<br />

create opportunity to allow each <strong>of</strong> the research participants to shape the form and content <strong>of</strong><br />

our conversations. I did not have a stock open<strong>in</strong>g question but got the <strong>in</strong>terviews underway<br />

with <strong>in</strong>vitations along the follow<strong>in</strong>g l<strong>in</strong>es:<br />

159<br />

...we‟re here to talk about media representations <strong>of</strong> disability and disabled people…<br />

and, I suppose, the way you perceive these representations impact<strong>in</strong>g upon everyday<br />

life… whether your everyday life or other people‟s… (Charles, l.2:09ff.)<br />

My aim was to f<strong>in</strong>d out about participants‟ perceptions <strong>of</strong> and responses to media narratives<br />

around disability <strong>in</strong> order to reflect on these as resources used by disabled people <strong>in</strong> identity<br />

construction. I also aimed to discover whether participants regarded media representations <strong>of</strong><br />

impairment as <strong>in</strong>variably portray<strong>in</strong>g disability as personal tragedy, materialis<strong>in</strong>g an<br />

<strong>in</strong>dividual model <strong>of</strong> disability. Where the conversations led was very much down to the way<br />

each person be<strong>in</strong>g <strong>in</strong>terviewed approached the subject, and I was pleased to f<strong>in</strong>d that<br />

participants responded <strong>in</strong> various ways. While most <strong>in</strong>terviews took the form <strong>of</strong><br />

straightforward discussions, some people wanted to talk solely as consumers while others<br />

wanted to talk about their own experiences <strong>of</strong> engagement <strong>in</strong> media production. While the<br />

majority <strong>of</strong> conversations focussed on TV some people also talked about radio, pr<strong>in</strong>t media<br />

and the <strong>in</strong>ternet. Charles had prepared a series <strong>of</strong> video clips which he played on his laptop<br />

and our discussion was directed at these. Sur<strong>in</strong>der produced a number <strong>of</strong> newspaper stories<br />

and images about her <strong>in</strong>volvement with the MS Society and our talk centred on these.<br />

Horizons<br />

Draw<strong>in</strong>g on the phenomenology <strong>of</strong> Edmund Husserl, Tony Wilson uses the term horizons to<br />

describe:<br />

frameworks <strong>of</strong> cognitive knowledge underly<strong>in</strong>g perceptual experience, allow<strong>in</strong>g<br />

aspects <strong>of</strong> that experience to be recognised and identified as <strong>in</strong>stances <strong>of</strong> types<br />

already encountered (Wilson, 2005:16).<br />

Horizons <strong>of</strong> experience are always learned culturally and <strong>in</strong>tersubjectively and validate<br />

established ways <strong>of</strong> recognis<strong>in</strong>g and relat<strong>in</strong>g to th<strong>in</strong>gs and people. They are fixed, Wilson

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