A thesis submitted in partial fulfilment of - Etheses - Queen Margaret ...
A thesis submitted in partial fulfilment of - Etheses - Queen Margaret ...
A thesis submitted in partial fulfilment of - Etheses - Queen Margaret ...
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My <strong>in</strong>tention <strong>in</strong> watch<strong>in</strong>g this episode with Ali, Ash, Sarah and Sur<strong>in</strong>der was to try and<br />
explore their reactions to cultural representations <strong>of</strong> disabled people that might be<br />
experienced <strong>in</strong> the course <strong>of</strong> everyday life. This is the sort <strong>of</strong> cultural material that anybody,<br />
disabled or non-disabled, might sit down to enjoy <strong>of</strong> an afternoon, or on one <strong>of</strong> the many<br />
repeats on different channels (Channel 4+1, More 4) and will generally be viewed<br />
uncritically. As Sarah notes:<br />
215<br />
...the vast majority <strong>of</strong> people sitt<strong>in</strong>g watch<strong>in</strong>g this won‟t be th<strong>in</strong>k<strong>in</strong>g that‟s<br />
annoy<strong>in</strong>g... they‟ll be th<strong>in</strong>k<strong>in</strong>g it‟s good... (l.3:383ff.)<br />
Her perception is that it is likely that this episode <strong>of</strong> Deal Or No Deal will have been<br />
watched positively and regarded as a good example <strong>of</strong> greater <strong>in</strong>clusion <strong>of</strong> disabled people <strong>in</strong><br />
TV programm<strong>in</strong>g. Yet, at the same time, it is possible to hear caution be<strong>in</strong>g expressed. For<br />
example, Ash states that:<br />
It‟s good that he‟s on... it‟s good that the chap‟s on... it‟s more important that he‟s on<br />
than that he‟s no... I th<strong>in</strong>k anybody would agree with that... to show people...<br />
(l.3:223ff.)<br />
Sarah is torn. She feels <strong>in</strong>st<strong>in</strong>ctively that <strong>in</strong>creased representation <strong>of</strong> disabled people on TV<br />
is desirable, but is concerned about the message be<strong>in</strong>g put out:<br />
Any representation, I suppose, is good... but I would hate to th<strong>in</strong>k that people would<br />
like look at that and th<strong>in</strong>k that every disabled person is like that and should be<br />
th<strong>in</strong>k<strong>in</strong>g like that... to be honest, Deal Or No Deal‟s probably the most<br />
representative <strong>in</strong> terms <strong>of</strong> disability... so I th<strong>in</strong>k Deal Or No Deal‟s probably better<br />
than most... <strong>in</strong> terms <strong>of</strong> the amount... but whether it‟s the right k<strong>in</strong>d <strong>of</strong> representation<br />
I don‟t know... (l.3:192ff.)<br />
While it is true that disabled people have long argued for greater representation <strong>in</strong><br />
ma<strong>in</strong>stream media, it is also true that popular culture has a way <strong>of</strong> assimilat<strong>in</strong>g challenges to<br />
its ongo<strong>in</strong>g flow by <strong>in</strong>corporat<strong>in</strong>g them and <strong>of</strong>fer<strong>in</strong>g them back for public consumption <strong>in</strong> a<br />
form <strong>in</strong> which they are likely to cause little disruption or <strong>of</strong>fence (Chambers, 1993).<br />
The confusion and oppression experienced by many disabled people <strong>in</strong> relation to feel<strong>in</strong>g<br />
comfortable <strong>in</strong> their own bodies is expressed by Sarah, referr<strong>in</strong>g here to Rhys:<br />
It‟s only ever either one way or the other... there‟s sort <strong>of</strong> the timid... like him... or<br />
there‟s the angry... like I‟m th<strong>in</strong>k<strong>in</strong>g back to Beyond Boundaries... where there‟s