A thesis submitted in partial fulfilment of - Etheses - Queen Margaret ...
A thesis submitted in partial fulfilment of - Etheses - Queen Margaret ...
A thesis submitted in partial fulfilment of - Etheses - Queen Margaret ...
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195<br />
her family. Her marriage survives and she and her husband end up closer together<br />
than before (Internet Movie Database, 2005: unpaged).<br />
Charles identified Footpr<strong>in</strong>ts as „an ITV sort <strong>of</strong> big effort to address disability rights‟, add<strong>in</strong>g<br />
that most disabled people he spoke with about it thought „it was just a big joke‟ (l.2:382).<br />
This view, however, was not shared by non-disabled people he talked with about it, „people<br />
who weren‟t aware <strong>of</strong> disability issues‟, who „all thought it was marvellous‟ (l.2:385). As a<br />
drama based on „a true story‟ written by a disabled person, it was presented as progressive<br />
and claimed an authenticity that conv<strong>in</strong>ced many viewers that this was a genu<strong>in</strong>e <strong>in</strong>sight <strong>in</strong>to<br />
the lives <strong>of</strong> disabled people. But, as Charles comments:<br />
that doesn‟t get rid <strong>of</strong> the fact that it went through all the stereotypes… literally all<br />
the stereotypes… I sat there tick<strong>in</strong>g them <strong>of</strong>f one by one… we‟ve got asexual… pity,<br />
victim… chip on your shoulder…and then later on you get triumph over tragedy…<br />
quite comical… (l.2:384ff.)<br />
Charles‟ reaction to the sex scene was different to Sarah‟s:<br />
...when I first saw it I thought it was one <strong>of</strong> the funniest th<strong>in</strong>gs…it‟s the way she<br />
flops her leg over… and says I can‟t feel anyth<strong>in</strong>g, but you might as well… it‟s what<br />
you want… ...it‟s pretty revolt<strong>in</strong>g… isn‟t it… you know… she‟s not gett<strong>in</strong>g anyth<strong>in</strong>g<br />
out <strong>of</strong> it… but she wants to do it because she wants to keep her husband… so that<br />
he‟s satisfied… it‟s just horrible… just the light<strong>in</strong>g… and the way it‟s shot… and<br />
the fact that he‟s… com<strong>in</strong>g… and that she‟s look<strong>in</strong>g <strong>in</strong>to the camera… I mean, it‟s<br />
just, like… you know… it‟s just revolt<strong>in</strong>g to watch… that he doesn‟t really want to<br />
do it either… so neither <strong>of</strong> them want to do it… but they do it cos… you know…<br />
they‟re try<strong>in</strong>g to be normal… it‟s horrific… (l.2:315ff.)<br />
While the divergence <strong>in</strong> responses to the scene may <strong>in</strong> part be expla<strong>in</strong>ed by the fact that<br />
Charles is no longer the sex-starved and sex-obsessed youth described <strong>in</strong> Chapter 4, neither<br />
found it pleasant. Sex with a disabled person is depicted as cold, grim and joyless.<br />
As Sarah noted above, this is the only representation <strong>of</strong> disabled people hav<strong>in</strong>g sex on TV<br />
that she has ever seen. She has experienced this as problematic because:<br />
...you see sex on telly all the time with two able-bodied, normal people and you<br />
th<strong>in</strong>k ... oh ... that‟s not relevant to me... and when you do see it <strong>in</strong>volv<strong>in</strong>g disabled<br />
people, it‟s not portrayed as a nice th<strong>in</strong>g ... (l.2:1063ff.)