A thesis submitted in partial fulfilment of - Etheses - Queen Margaret ...
A thesis submitted in partial fulfilment of - Etheses - Queen Margaret ...
A thesis submitted in partial fulfilment of - Etheses - Queen Margaret ...
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190<br />
I didn‟t start notic<strong>in</strong>g them until I started look<strong>in</strong>g for examples, so I wouldn‟t even<br />
have noticed them before I knew this <strong>in</strong>terview was go<strong>in</strong>g to take place… so I can<br />
only say that… erm… there‟s a sort <strong>of</strong> <strong>in</strong>sidious creep<strong>in</strong>g <strong>in</strong>to the unconscious m<strong>in</strong>d<br />
<strong>of</strong> negative characteristics <strong>of</strong> disabled people, go<strong>in</strong>g <strong>in</strong>to… our common culture, our<br />
wider culture… (l.2:297ff)<br />
While popular cultural stereotypes <strong>of</strong> disabled people abound, it is not until we focus our<br />
attention that they become apparent. It is worth compar<strong>in</strong>g Rose‟s list with a list produced by<br />
Biklen and Bogdana <strong>in</strong> 1977. In their terms disabled people are stereotyped as: pitiable and<br />
pathetic; objects <strong>of</strong> violence; s<strong>in</strong>ister or evil; punishments for the s<strong>in</strong>s <strong>of</strong> parents;<br />
atmosphere; supercrips; laughable; their own worst enemies; burdens; non-sexual; <strong>in</strong>capable<br />
<strong>of</strong> fully participat<strong>in</strong>g <strong>in</strong> everyday life (Rieser and Mason 1992:1998).<br />
The supercrip is the „hero <strong>of</strong> assimilation‟ (Riley, 2005:1), recognisable <strong>in</strong> Susan‟s First<br />
Snowfall, or <strong>in</strong> the disabled celebrity <strong>of</strong> Ade or Tanni. Given Dill‟s apparent <strong>in</strong>ability to<br />
recognise this stereotype, I would suggest it is at least possible that dur<strong>in</strong>g her fortnight‟s<br />
view<strong>in</strong>g Rose may have seen such images but did not consider them stereotypes. So heavily<br />
<strong>in</strong>gra<strong>in</strong>ed <strong>in</strong> cultural representation is this image as a positive representation <strong>of</strong> disabled<br />
people that its function <strong>in</strong> terms <strong>of</strong> <strong>in</strong>validat<strong>in</strong>g the experience <strong>of</strong> impairment goes unnoticed.<br />
Charles Riley asserts that „traditional emphasis on the physical aspect renders the „sadcrip-<br />
supercrip‟ two sides <strong>of</strong> the same co<strong>in</strong>‟ (Riley, 2005:4). While the narratives <strong>of</strong> pathetic<br />
victim and plucky struggler appear superficially to be do<strong>in</strong>g different th<strong>in</strong>gs they are part <strong>of</strong> a<br />
s<strong>in</strong>gle discourse identify<strong>in</strong>g impairment as tragedy. Before conclud<strong>in</strong>g this chapter I consider<br />
these two stereotypes along with a third, the „unattractive and asexual‟ stereotype, <strong>in</strong> order to<br />
demonstrate the way <strong>in</strong> which, even <strong>in</strong> what are represented as be<strong>in</strong>g empower<strong>in</strong>g and<br />
enlightened portrayals, stereotypes are currently used <strong>in</strong> popular culture to naturalise an<br />
oppressive way <strong>of</strong> th<strong>in</strong>k<strong>in</strong>g about disability.<br />
The supercrip<br />
Talk<strong>in</strong>g about his enjoyment <strong>of</strong> the TV coverage <strong>of</strong> the 2008 Paralympic Games, Ali says:<br />
...it was just <strong>in</strong>credible, it was like... woah, this is amaz<strong>in</strong>g... and it was, like, wow...<br />
and you admire people like that, and you th<strong>in</strong>k... wow, if someone could... it makes<br />
you realize how lucky you are... to have those legs that other people might not<br />
have... and to th<strong>in</strong>k that they‟ve put 110% <strong>in</strong>to it while you‟re sitt<strong>in</strong>g at home...