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A thesis submitted in partial fulfilment of - Etheses - Queen Margaret ...

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250<br />

Sartre describes how the act <strong>of</strong> look<strong>in</strong>g at someone through a keyhole (motivated by<br />

jealousy, curiosity, or vice) is experienced <strong>in</strong> “a pure mode <strong>of</strong> los<strong>in</strong>g myself <strong>in</strong> the<br />

world, <strong>of</strong> caus<strong>in</strong>g myself to be drunk <strong>in</strong> by th<strong>in</strong>gs as <strong>in</strong>k is <strong>in</strong> a blotter.” However,<br />

when all <strong>of</strong> a sudden I hear footsteps and realise that someone is look<strong>in</strong>g at me, an<br />

essential change occurs <strong>in</strong> my mode <strong>of</strong> awareness. Where moments before my mode<br />

<strong>of</strong> be<strong>in</strong>g was governed by unreflective consciousness, now “I see myself because<br />

somebody sees me. I experience myself as an object for the other” (Van Manen,<br />

1990:24).<br />

I am rem<strong>in</strong>ded <strong>of</strong> a statement made by Charles which, I th<strong>in</strong>k, not only captures and<br />

expresses Sartre‟s idea but also highlights the way <strong>in</strong> which each <strong>of</strong> my three themes <strong>in</strong> this<br />

chapter (the disabled role, alienation, affirmation) can be regarded as be<strong>in</strong>g experienced, if<br />

not simultaneously, then almost simultaneously.<br />

...when I was talk<strong>in</strong>g <strong>in</strong> the pub with Er<strong>in</strong> and yourself tonight… with every sentence<br />

I wasn‟t th<strong>in</strong>k<strong>in</strong>g oh, I‟m go<strong>in</strong>g to say this sentence with a speech impairment… blah<br />

blah blah… now I‟m go<strong>in</strong>g to say this with a speech impairment… blah blah blah…<br />

I‟m go<strong>in</strong>g to move back, but I‟m mov<strong>in</strong>g back <strong>in</strong> my wheelchair… you know… you<br />

don‟t th<strong>in</strong>k… but… when you catch somebody look<strong>in</strong>g at you… and look<strong>in</strong>g at the<br />

effects <strong>of</strong> your impairment… concentrat<strong>in</strong>g on your impairment… then you‟re<br />

suddenly aware… that you‟re speak<strong>in</strong>g differently… (l.6:617ff.)<br />

While Charles had been talk<strong>in</strong>g dismissively with Er<strong>in</strong> and I about the Leonard Cheshire<br />

Creature Comforts advertis<strong>in</strong>g campaign, a waiter had come up beh<strong>in</strong>d where he was sitt<strong>in</strong>g<br />

<strong>in</strong> his wheelchair to enquire if we wanted any more dr<strong>in</strong>ks (l.3:221ff.) While his<br />

consciousness was focussed upon the presence <strong>of</strong> Er<strong>in</strong> and I, Charles had been hold<strong>in</strong>g forth<br />

with eloquence and humour, paus<strong>in</strong>g occasionally to sip his veneto merlot cabernet 2007<br />

through a straw. In our company Charles was able to be his usual laid back enterta<strong>in</strong><strong>in</strong>g self.<br />

This relates to affirmation. When he became aware <strong>of</strong> the gaze <strong>of</strong> the waiter stand<strong>in</strong>g beh<strong>in</strong>d<br />

him, Charles‟ mode <strong>of</strong> awareness changed: he became an object for the other, and aware <strong>of</strong><br />

himself as an object <strong>of</strong> scrut<strong>in</strong>y, fasc<strong>in</strong>ation and perplexity. In other words he became aware<br />

<strong>of</strong> himself as a disabled person. This relates to the imposition <strong>of</strong> the disabled role. The waiter<br />

– a young man – had hovered beh<strong>in</strong>d Charles for longer than is usually considered<br />

acceptable <strong>in</strong> terms <strong>of</strong> restaurant etiquette. Presumably wait<strong>in</strong>g for what he considered an<br />

appropriate break <strong>in</strong> the conversation to make his <strong>in</strong>tervention, rely<strong>in</strong>g upon cues and tones<br />

<strong>in</strong> what was be<strong>in</strong>g said, he had been thrown by Charles‟ speech impairment. He had cast a<br />

number <strong>of</strong> appeal<strong>in</strong>g glances <strong>in</strong> my direction before Charles picked up on my body language

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