A thesis submitted in partial fulfilment of - Etheses - Queen Margaret ...
A thesis submitted in partial fulfilment of - Etheses - Queen Margaret ...
A thesis submitted in partial fulfilment of - Etheses - Queen Margaret ...
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as „awful‟ - we can see aga<strong>in</strong> the way <strong>in</strong> which the media simultaneously promotes and<br />
susta<strong>in</strong>s horizons <strong>of</strong> domesticity and assumptions around normality and abnormality.<br />
Culture as management<br />
We ga<strong>in</strong> further understand<strong>in</strong>g <strong>of</strong> the role <strong>of</strong> current disability documentaries by consider<strong>in</strong>g<br />
Gareth Palmer‟s argument that, as the chief focus <strong>of</strong> leisure for millions <strong>of</strong> people, TV is:<br />
182<br />
part <strong>of</strong> the work <strong>of</strong> culture-as-management, where culture is a set <strong>of</strong> practices aimed<br />
at produc<strong>in</strong>g – <strong>in</strong> l<strong>in</strong>e with governmental objectives – self-regulat<strong>in</strong>g, self-govern<strong>in</strong>g<br />
<strong>in</strong>dividuals (Palmer, 2003:18).<br />
Palmer argues that early TV documentaries gathered and presented the voices <strong>of</strong> diverse<br />
<strong>in</strong>dividuals <strong>in</strong> order „to make reasoned cases for change <strong>in</strong> the social sphere that they were<br />
simultaneously try<strong>in</strong>g to create‟ (Palmer, 2003:7). He asserts that pre-1979 the documentary<br />
form was used to encourage and develop critical debate around issues <strong>of</strong> citizenship with<strong>in</strong><br />
the welfare state, to problematise <strong>in</strong>stitutions, issues and situations. An educational purpose<br />
was assumed as the function <strong>of</strong> documentary with<strong>in</strong> a context <strong>in</strong> which TV was understood<br />
as hav<strong>in</strong>g a public service role:<br />
Documentary workers were licensed to criticise the operations <strong>of</strong> the State while still<br />
deriv<strong>in</strong>g their <strong>in</strong>come from publicly funded bodies such as the BBC or <strong>in</strong> the relative<br />
security (<strong>in</strong> today‟s terms) <strong>of</strong> <strong>in</strong>dependent television (Palmer, 2003:8).<br />
The shake-up <strong>of</strong> consensus established by the arrival <strong>of</strong> the Thatcher government <strong>of</strong> 1979 led<br />
to an overt celebration <strong>of</strong> the <strong>in</strong>dividual over the social. As with many other cultural forms,<br />
this had an impact on TV documentary, which <strong>in</strong>creas<strong>in</strong>gly addressed viewers as consumers<br />
rather than as citizens. The focus <strong>of</strong> documentary shifted from analysis <strong>of</strong> social issues to<br />
<strong>in</strong>dividual behaviours. Palmer states that while new populists argue that docu-soaps and<br />
Reality TV formats are chang<strong>in</strong>g documentary <strong>in</strong> positive ways, what he sees is a grow<strong>in</strong>g<br />
mechanism <strong>of</strong> panopticism:<br />
Such mechanisms ensure the docility <strong>of</strong> the body as more and more aspects <strong>of</strong> life<br />
are made more open to exam<strong>in</strong>ation. Such exam<strong>in</strong>ations <strong>in</strong> turn form new types <strong>of</strong><br />
knowledge with which the problem <strong>of</strong> population can be managed (Palmer, 2003:6).<br />
Charles echoes Palmer: