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A thesis submitted in partial fulfilment of - Etheses - Queen Margaret ...

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make passes at me <strong>in</strong> that situation… and tell me how brave I am (laughs)… not<br />

necessarily <strong>in</strong> a patronis<strong>in</strong>g way, but… more <strong>in</strong> a sort <strong>of</strong> awed-by-the-fact-that-<br />

somebody-would… that I would dare to do that… and I th<strong>in</strong>k that‟s made its own<br />

k<strong>in</strong>d <strong>of</strong> impact… (l.1.695ff.)<br />

Jennie‟s decisions to wear a short skirt can be read <strong>in</strong> terms <strong>of</strong> attempt<strong>in</strong>g to escape the<br />

disabled role. However, the difficulty <strong>of</strong> do<strong>in</strong>g this is highlighted not only <strong>in</strong> the fact that<br />

„people will tend to gape‟ but also <strong>in</strong> that she is applauded by leer<strong>in</strong>g old men for mak<strong>in</strong>g the<br />

attempt at all. To be seen to be try<strong>in</strong>g to overcome personal limitations is regarded as<br />

behaviour to be commended.<br />

The way you perceive yourself is partly the way other people perceive you… and if<br />

you have people com<strong>in</strong>g up to you <strong>in</strong> the street and say<strong>in</strong>g “Are you enjoy<strong>in</strong>g<br />

yourself rac<strong>in</strong>g along… who‟s got the fastest wheelchair…?”…and just approach<strong>in</strong>g<br />

you, where they wouldn‟t dream <strong>of</strong> approach<strong>in</strong>g other strangers <strong>in</strong> the street…<br />

(l.1.805ff.)<br />

Rose describes the way that <strong>in</strong>appropriate <strong>in</strong>trusion can impact on self-identity. What she<br />

speaks <strong>of</strong> here is a form <strong>of</strong> <strong>in</strong>fantilisation, an establishment <strong>of</strong> power relations which equate<br />

the disabled role with a child role. What is not seen when such remarks are made by non-<br />

disabled strangers, presumably <strong>in</strong>tend<strong>in</strong>g to be humorous, is the context <strong>of</strong> Rose‟s life: <strong>in</strong><br />

which, as a result <strong>of</strong> their reactions to her impairment, her husband has gone, her daughter is<br />

<strong>in</strong> denial, her friends are not <strong>in</strong>terested. As she says elsewhere:<br />

Even if I was… <strong>of</strong> equal value… er, <strong>in</strong> your own eyes… to know that you are not <strong>of</strong><br />

equal value <strong>in</strong>, er… other people‟s eyes… er… <strong>in</strong>fluences your perception <strong>of</strong><br />

yourself… (l.710ff.)<br />

Describ<strong>in</strong>g situations she has experienced when go<strong>in</strong>g out with an ex- boyfriend who is also<br />

disabled, Sarah expresses a sense <strong>of</strong> frustration at be<strong>in</strong>g unable to escape the disabled role:<br />

...when we went out as well, when we went out as a couple, people would look at us<br />

and, like, they‟d never say it, but you could see it… “Aww… isn‟t that a shame…”<br />

it‟s like, fuck <strong>of</strong>f… fuck <strong>of</strong>f, you know what… and it would be like… just like<br />

stupid th<strong>in</strong>gs, like, you‟d go <strong>in</strong>to a restaurant and stuff, and it‟d be like “Oh, is there<br />

someone with you…” ...like… why can‟t you see us just like any ord<strong>in</strong>ary couple<br />

go<strong>in</strong>g out… why is there this big palaver which then makes us feel more…

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