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A thesis submitted in partial fulfilment of - Etheses - Queen Margaret ...

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lasted several hours and others only an hour I shall not exam<strong>in</strong>e these <strong>in</strong> their wholeness but<br />

rather as snapshots highlight<strong>in</strong>g, perhaps, someth<strong>in</strong>g that happened <strong>in</strong> an <strong>in</strong>stant or an<br />

encounter that took place over several m<strong>in</strong>utes. I shall, however, give these snapshots<br />

context by expla<strong>in</strong><strong>in</strong>g the scene with<strong>in</strong> which they took place.<br />

I have reproduced data which emerged <strong>in</strong> the midst <strong>of</strong> life, while <strong>in</strong> motion or <strong>in</strong> <strong>in</strong>teraction<br />

with other people (as opposed to dur<strong>in</strong>g <strong>in</strong>terviews), <strong>in</strong> a tidied-up version <strong>of</strong> the note form I<br />

orig<strong>in</strong>ally used to record them. This is <strong>in</strong>tended to convey a sense <strong>of</strong> the animated rather<br />

than reflective context <strong>in</strong> which this data was produced.<br />

Norbert Elias has argued that if we are concerned with the process <strong>of</strong> transformation <strong>of</strong><br />

social structures, it is necessary to give attention to the ways <strong>in</strong> which, <strong>in</strong> the context <strong>of</strong> their<br />

experiences <strong>of</strong> social structures, people contribute both to their reproduction and their change<br />

(Elias, 1998:168). I have argued that we should regard disability as a role which upholds<br />

contemporary social relations <strong>of</strong> <strong>in</strong>equality. The structures which circumscribe everyday life<br />

and the <strong>in</strong>stitutions which uphold these structures may evolve and take different shape but<br />

always reflect the <strong>in</strong>terests <strong>of</strong> the socially dom<strong>in</strong>ant. The experience <strong>of</strong> disabled people at the<br />

start <strong>of</strong> the second decade <strong>of</strong> the 21 st century is changed and improved <strong>in</strong> many ways from<br />

the experience <strong>of</strong> thirty years ago, yet the role <strong>of</strong> disability with<strong>in</strong> the capitalist edifice<br />

rema<strong>in</strong>s the same.<br />

The disabled role<br />

Rose: Shopp<strong>in</strong>g<br />

Rose took me around the centre <strong>of</strong> the highland town where she lives to let me see some <strong>of</strong><br />

the barriers she encounters as a wheelchair user whenever she comes shopp<strong>in</strong>g. She had<br />

some th<strong>in</strong>gs she would have wanted to buy anyway and we agreed that as she went about her<br />

bus<strong>in</strong>ess <strong>of</strong> mak<strong>in</strong>g purchases she would po<strong>in</strong>t out the barriers as she faced them. I should<br />

feel free, Rose told me, to note what I liked, <strong>in</strong>clud<strong>in</strong>g any <strong>in</strong>terpersonal encounters. She<br />

showed me the restaurants she would like to go to but cannot get <strong>in</strong>to (l.3:15ff.); the<br />

<strong>in</strong>accessible cash mach<strong>in</strong>e and the wheelchair lift <strong>in</strong>to the bank that has to be operated by a<br />

member <strong>of</strong> staff whose attention she has to attract from outside (l.3:48ff.); the hairdresser‟s<br />

she uses, not because it has a good reputation but because it has access to the bas<strong>in</strong>s<br />

(l.3:137ff.); the theatre which has an automatic door that is never switched on and a stair-lift<br />

she has to ride on while strangers walk<strong>in</strong>g up the stairs ask her if she is enjoy<strong>in</strong>g herself<br />

(l.3:165ff.); the unreachable high and low shelves <strong>in</strong> Woolworth‟s (l.256ff.); the <strong>in</strong>accessible<br />

customer lift <strong>in</strong> the local department store (l.3:341ff.); and the difficult ramp at Costas c<strong>of</strong>fee<br />

204

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