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Reading akkadian PRayeRs & Hymns An Introduction

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280<br />

READING AKKADIAN PRAYERS AND HYMNS: AN INTRODUCTION<br />

In both types of prayer the final praise has two different functions, one for<br />

the relation between supplicant and deity and the other for the supplicant only.<br />

The promise and the appeal to praise can be understood as “offer of service” by<br />

the supplicant to the deity. They do not only promise to praise but to function<br />

themselves as living examples of divine action. Such an unequivocal “offer of<br />

service” can also be found in biblical texts. Note the appeal to Yahweh to save<br />

the supplicant from the underworld, since no-one praises him there (see Ps 6:6,<br />

30:10, 88:11–12, Isa 38:18). Such an offer can be understood within the conception<br />

of the prayer as audience, which is important at least for the prayers of the<br />

lifting of the hand. 5 The gift as greeting in an actual audience (corresponding to<br />

the offering in the hand-lifting ritual), the proskynesis, and the praise of the elevated<br />

person aim at obligating the elevated person to help. The structure of the<br />

audience—and the prayer respectively—want to make the counterpart accept<br />

the petition. Because of the logic of reciprocity governing audiences in the ancient<br />

Near East, it is possible that the praying person already gives thanks and<br />

praise though their situation is still the same.<br />

The concluding praise has a second but different function for the supplicant.<br />

6 At the end of the prayer, they envision the power of the deity. They bring<br />

to mind the deity they experience as turned away, hoping that the god will act<br />

on their behalf. The certainty of salvation is realized in advance by articulating<br />

it. In this context, the basic character of the prayers as set forms, not as individual<br />

expression has to be kept in mind: praise and promise to praise that anticipate<br />

the salvation can strengthen the trust of the supplicant in the saving power<br />

of the deity. In this way, their function can be compared to the functions of the<br />

expressions of confidence in the psalms of lament and the hymnic invocation in<br />

the prayers of the lifting of the hand. The form invites the supplicant to leave<br />

behind the fixation on their own needs and to rest in the saving action by the<br />

deity. This structure can be compared to “de-reflection” in its psychotherapeutic<br />

sense. Prayers of the lifting of the hand can lead back from the final praise into<br />

the initial invocation in repeated recitations; psalms of lament can proceed from<br />

complaint to praise. The sudden change of mood can be interpreted as an element<br />

of “pastoral care” in both cases, independent of the different structures of<br />

the prayers.<br />

The form of the sudden change of mood in Ishtar 2 is special: there is not<br />

only a promise to praise (lines 101–102) but the anticipated praise itself in the<br />

final section of the prayer (lines 103–105). These last three lines could well be<br />

set in quotation marks. This phenomenon is attested in other Mesopotamian<br />

prayers, too, 7 but also in biblical laments of the individual. A striking example is<br />

5 <strong>An</strong>nette Zgoll, “Audienz – Ein Modell zum Verständnis mesopotamischer Handerhebungsrituale.<br />

Mit einer Deutung der Novelle vom Armen Mann von Nippur,” BaghM 34 (2003), 181–203<br />

and see the introduction, page 31.<br />

6 For the following paragraph, see Zgoll, 269–70.<br />

7 See Mayer, UFBG, 350–57.

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