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Picture - Cosmic Polymath

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RESPIRATORY RHYTHMIC MOVEMENTS IN ANIMALS 273<br />

with a movable partition (the mitral valve) between them. The thorax may be taken to represent the left am-icle,<br />

the abdomen the left ventricle, and the diaphragm the mitral valve. The cardiac muscular movements and respira-<br />

tory movements are rhythmical and alternating ; the one cavity opening when the other is closing and vice versd.<br />

Thus in the chest the thoracic cavity opens when the abdominal cavity closes, and the converse. These diametrically<br />

opposite movements in the thorax and abdomen occur simultaneously. In both the opening and closing move-<br />

ments the diaphragm plays an important part. Thus it descends when the thorax opens, and ascends when it closes.<br />

It in this way alternately increases and decreases the capacity of both cavities. The mitral valve of the left<br />

ventricle in like manner descends and ascends and alternately increases and diminishes the size of the left auricle<br />

and ventricle. The movements of the diaphragm are rhythmic, and accurately adapted to those of the chest<br />

and abdomen.<br />

The glottis, situated within the larynx, also takes part in the rhythmic respiratory movements. From this it<br />

will be seen that there are four different rhythmic movements connected with respiration in animals, namely, those<br />

of the glottis, chest, abdomen, and diaphragm. The respiratory movements, although apparently simple, are highly<br />

complex. They have unfortunately never received the attention they deserved. It is therefore fitting that in<br />

the present section I should describe the respiratory rhythms somewhat in detail, illustrating what I have to say<br />

by carefully selected figures. I consequently, in this connection, give views of the lungs, the larynx, the bronchial<br />

tubes, the glottis, the bones and cartilages of the chest, the thoracic and abdominal muscles (esfecially the recti<br />

abdominis), the diaphragm, the appearance presented by the body in inspiration and expiration, &c.<br />

Much of the confusion connected with the respiratory rhythmic movements is traceable to authors failing to<br />

grasp the fact that the several rhythms occurring in the glottis, chest, abdomen, and diaphragm are only parts of<br />

one great rhythm which may be aptly designated the respiratory rhythm. The confusion is also partly due to<br />

anatomists assigning separate movements to individual muscles which can only act in groups or as wholes. As it is<br />

not possible to define the action of the muscles in any part of the heart, neither is it possible to defme with adequate<br />

precision the action of separate muscles in any part of the chest, abdomen, and diaphragm. The chest, abdomen,<br />

and diaphragm exercise opening or centrifugal, and closing or centripetal movements precisely analogous to those<br />

witnessed ia the heart. Lastly, physiologists have never fully reaHsed the inherent nature of the rhythmic respira-<br />

tory movements, and have referred them directly or indirectly to irritabiUty and extraneous stimulation. They have<br />

overlooked the fact that the rhythmic movements are fundamental, spontaneous, and independent—the one move-<br />

ment never causing the other ;<br />

that the opening centrifugal and the closing centripetal movements are both vital in<br />

character, and that elasticity plays quite a subordinate part in respiration. At present there is a prevailing behef<br />

that the several compartments of the heart are closed by vital acts ;<br />

due to the elasticity of the muscles which act passively.<br />

the opening of the compartments being largely<br />

Similarly but conversely, the chest is said to be opened by vital movements, the closure being effected passively<br />

by the resihency and elasticity of the muscles and ribs.<br />

Why, one naturally inquires, should the heart be closed by vital movements and the chest opened by them ?<br />

The contradiction here pointed out demoUshes the prevailing theory of muscular action not only in the hollow<br />

viscera, but also in the voluntary muscles. The opening and closing of the hollow muscles forming the viscera,<br />

and the contraction and relaxation of the voluntary muscles, can only be performed by independent vital acts :<br />

mere elasticity cannot be said to influence the action of muscles to any appreciable extent. Up till the present<br />

the causes of the rhythmic movements, particularly the respiratory ones, have remained a close secret.<br />

A curious point to be noted in connection with rhythmic movements is this. They occur in the protoplasm<br />

of plants and in both kinds of muscles, namely, the pale or unstriated involuntary muscles and the red or striated<br />

voluntary muscles of animals.<br />

The explanation is that, strictly speaking, no real distinction (the power of the will over the voluntary muscles<br />

excepted) can be drawn between the involuntary and voluntary muscles, either structurally or functionally. The<br />

one runs into the other. The voluntary muscle, as I showed in 1872,^ is a higher development or differentiation of<br />

the involuntary muscle, and it can be made to act either with or without the aid of intelKgence. A pedestrian<br />

can walk either automatically or intelligently, and a clever pianist can perform the most difficult music and keep<br />

up a conversation altogether disregarding the movements of the fingers engaged. A lunatic not unfrequently sets<br />

up rhythms in his limbs or other parts of his body, and produces a series of grotesque see-saw movements which<br />

he continues for hours.<br />

The weaving movements of animals are to be placed in the same category. Some people known to me slowly<br />

flex and extend their inferior extremities during sleep. In all cases where the voluntary muscles act involuntarily<br />

' "The Physiology of the Circulation in Plants, in the Lower Animals, and in Man." Edinburgh Medical Journal, 1872, 187-3. Also<br />

separate volume published 1874 by Macmillan with 250 woodcuts (see pp. 208-214).<br />

'<br />

VOL. I.<br />

2 M

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