25.04.2013 Views

Picture - Cosmic Polymath

Picture - Cosmic Polymath

Picture - Cosmic Polymath

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

2/8 DESIGN IN NATURE<br />

I am disposed to lay it down as an axiom that whenever jjale, unstriated, involuntary muscular fibres occur m<br />

quantity, ajid especially when they assume the annular form, or when they are arranged at right angles and obliquely,<br />

rhythmic movements are not only possible but probable.<br />

In order to produce a rhythmic movement all that is required is a series of muscular fibres—striated or non-<br />

striated is immaterial—invested with the double power of shortening and elongating vitally.<br />

The respiratory movements of the higher animals are due to a twofold cause : namely, a -want on the part of<br />

the system for oxygen, and a desire to get rid of carbonic acid, which is a poisonous, deleterious gas.<br />

The respiratory process is carried on in two ways :<br />

(«) By means of the skin and mucous surfaces and tissues generally, and<br />

(b) By means of a respiratory apparatus which may take the form of gills or lungs.<br />

The respiratory movements have a wide range as regards frequency, intensity, and duration. Thus in hiber-<br />

nating animals they are reduced to a minimum :<br />

the<br />

same thing happens in the condition known as trance. The<br />

movements are less pronounced in the recumbent than in the sitting, and in the sitting than in the standing positions.<br />

They are slower in walking than in running, and in asthma, due to paralysis or partial paralysis of the diaphragm,<br />

they are violent ; persons so afflicted seizing the backs of chairs or tables to afford fixed points with a view to<br />

relieving their breathing.<br />

Respiration is divided into costal and diaphragmatic according as the ribs or the diaphragm take the leading<br />

part—the costal being most pronounced in man, the diaphragmatic in woman. There is reason to believe that<br />

the use of corsets and tight clothing in modern woman emphasises the diaphragmatic respiration by enfeebhng and,<br />

to a large extent, destroying the action of the thoracic and abdominal muscles, especially the latter.<br />

The Cheyne-Stokes respiration is a greatly enfeebled form of respiration due to fatty heart and other causes which<br />

need not be considered here.<br />

The respiratory movements are spoken of as natural and forced according as they are calm or the opposite.<br />

In calm breathing there are usually nine inspirations and nine expirations per minute. In calm as well as in forced<br />

breathing not only the muscles of the diaphragm and chest but also those of the abdomen are brought into play.<br />

In forced breathing the muscles of the neck, shoulder, root of humerus, back, pelvis, &c., are involved. The fact<br />

that the respiratory movements vary greatly in different individuals at different times and under varying conditions<br />

necessitates a certain amount of accommodating power in the muscular arrangements.<br />

In the early foital condition in man the respiratory system appears as an embranchment or diverticulum of<br />

the alimentary system, and we may consider it as a large-branched, specially-modified gland lined with mucous<br />

membrane and consisting of a conducting portion and a secreting portion. The hmgs being originally a diverticulum<br />

from the alimentary canal, it is well not to lose sight of this connection when speaking of the rhythmic movements<br />

of the lungs and intestine, and of similar movements occurring in the thorax and abdomen. It is not possible,<br />

in my opinion, to separate the rhythmic movements occurring in the chest from those occurring in the abdomen.<br />

As a matter of fact, the thoracic and abdominal cavities open and close alternately ; the opening and enlarging<br />

of the chest necessitating the closing or diminution of the abdomen and vice versd. This is especially the case in<br />

forced respiration. The one movement cannot take place without the other : neither does the one movement cause<br />

the other.<br />

The diaphragm by its alternate upward and downward movements plays an important part in the alternate<br />

increase and decrease of the thoracic and abdominal cavities. When the diaphragm descends it increases the size<br />

of the chest at the expense of the abdomen :<br />

the chest.<br />

when it ascends it increases the size of the abdomen at the expense of<br />

The muscles of the chest and diaphragm shorten and close when those of the abdomen elongate and open,<br />

and the converse. The thoracic and abdominal muscles are co-ordinated for the express purpose of alternately<br />

opening and closing the thoracic and abdominal cavities. These cavities are opened and closed by vital muscular<br />

movements assisted by the elasticity of the ribs, cartilages, and other structures engaged.<br />

The muscles of the thorax and abdomen are complemental co-ordinated muscles, and the one set closes or shortens<br />

when the other set opens or elongates, and vice versd. The diaphragm is also a co-ordinated muscle. It is invested<br />

with a double power—that is, it can close or shorten in all its diameters and become flat by a centripetal movement,<br />

or It can open or elongate in all its diameters and become arched by a centrifugal movement. The chest, abdominal,<br />

and diaphragmatic movements are vital in their nature ; the elasticity of the ribs and other structures performing<br />

a useful but subordinate function.<br />

The chest, abdominal, and diaphragmatic movements are essentially rhythmic in character. The chest, as indi-<br />

cated, may not inaptly be compared to the left auricle of the mammahan heart ; the abdomen to the left ventricle,<br />

and the diaphragm to the auriculo-ventricular or mitral valve.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!