Expression 3 - ETC

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Modifying a recorded cue live Previous examples in this chapter illustrated how to record new cues. If you want to modify channels in a recorded cue, you can play back the cue in Stage, make the changes, and then re-record the cue. 18 The modifications immediately affect the look on stage. You can also record the live look you created to another cue. Modifying channels in a cue Add new channels or modify channel levels with the procedure given below. You can use all the same techniques for channel or fixture selection or for setting levels that are available to you for initial cue recording. Keystrokes: Action: 1. Press [Stage]. Selects Stage display mode 2. Press [Cue], enter cue number and press [Go]. 3. Select channels and set channel levels to make the desired changes to the cue. 4. Press [Record] [Enter]. a Plays back selected cue Selects channels, which can be the same as those already in the cue or additional ones, and set levels Re-records cue with desired modifications a. Insert a different cue number between [Record] and [Enter] in this step to record the look to another cue. When you record to another cue, the modifications are not reflected in the fader. If you don’t want to lose the look from stage, run the cue through a fader before you release channels. 18. If you are not familiar with procedures for playing back cues, see Chapter 10 Playing back cues, page 125. 100 Chapter 7 Cues
Modifying cue attributes If all you want to do is modify a cue attribute, such as cue timing, you can do that in Stage without first playing back the cue. Use the procedure below to modify cue attributes. Keystrokes: Action: 1. Press [Stage] or [Blind]. Selects display mode 2. Press [Cue] then enter the number of the desired cue. 3. Press the key that corresponds to the attribute you want to modify. Options include: Type, Time, Wait, Link, Follow and Label. 4. Enter the new setting for the attribute. 5. Press [Enter]. a Selects the desired cue Modifies cue attribute Re-records cue with modifications a. Note that if you change the cue’s type, press [Record] [Enter] in step 5. Type changes will not take effect unless recorded. <strong>Expression</strong> 3 User Manual, v.3.1 101
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Expression 3 Lighting control syste
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Chapter 3 System settings . . . . .
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Chapter 7 Cues . . . . . . . . . .
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Chapter 13 Submasters . . . . . . .
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Chapter 17 Subroutines . . . . . .
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Resetting loop time . . . . . . . .
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xiv Contents
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Using this manual This manual provi
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Output level conventions The consol
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Effects LTP channels may be used to
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The Only command Only is a particul
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Help from ETC Technical Services If
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Colors in displays The colors in wh
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Stage The Stage display shows you t
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Tracksheet The Tracksheet display s
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Park Press [Park] to bring up the P
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Time Code List display You may togg
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22 Chapter 2 Monitor displays
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Setting the number of dimmers Your
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Setting default fade times The cons
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Setting default sneak time The snea
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Enabling the template The procedure
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Set grandmaster type You may set th
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Setting the clock The console clock
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Latitude, longitude, time zone Choo
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About Show About Show provides you
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Selecting one-to-one patch The one-
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Proportional patching Normally, dim
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Labeling dimmers The console allows
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Assigning a profile to a dimmer You
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Clear All For a selected profile, C
Page 65 and 66: About Dimmer The About Dimmer displ
Page 67 and 68: Setting dimmers to Dimmer Doubling
Page 69 and 70: Chapter 5 Setting channel levels Se
Page 71 and 72: Channel Attributes display The Chan
Page 73 and 74: Channel data type Channels normally
Page 75 and 76: Selecting channels Using the keypad
Page 77 and 78: Sneak Sneak is a softkey that you c
Page 79 and 80: About Channel The About Channel dis
Page 81 and 82: Chapter 6 Adding moving lights to t
Page 83 and 84: Personality Setup You may find that
Page 85 and 86: Viewing a personality 1. From the P
Page 87 and 88: Patching one fixture or a fixture r
Page 89 and 90: Attribute Setup Personalities may h
Page 91 and 92: Encoder Setup Level setting control
Page 93 and 94: Change individually 1. Select an en
Page 95 and 96: Working with fixtures Following are
Page 97 and 98: Fixture focus with Solo Solo provid
Page 99 and 100: Chapter 7 Cues The console allows y
Page 101 and 102: Recording functions Viewing cues Th
Page 103 and 104: Working with cues in Stage When rec
Page 105 and 106: Recording a cue with a single fade
Page 107 and 108: Recording a cue with a wait time Wa
Page 109 and 110: Follow [Follow] allows you to play
Page 111 and 112: Linking a macro to a cue [Link] all
Page 113: Labeling cues The console allows yo
Page 117 and 118: Updating a recorded cue You need no
Page 119 and 120: Copying cues You may want to use a
Page 121 and 122: Chapter 8 Track Track record functi
Page 123 and 124: Recording modified cues The differe
Page 125 and 126: Inserting cues If you insert a cue
Page 127 and 128: Pulling channels in Blind If you in
Page 129 and 130: If cue 5 is an allfade, the console
Page 131 and 132: Chapter 9 Multipart cues A multipar
Page 133 and 134: Converting a standard cue to a mult
Page 135 and 136: Editing a multipart cue Once you ha
Page 137 and 138: Modifying fade and wait times If yo
Page 139 and 140: Chapter 10 Playing back cues The co
Page 141 and 142: Fader keys Clear Each fader is equi
Page 143 and 144: Fader Status display The fader stat
Page 145 and 146: Controlling fades manually The cons
Page 147 and 148: Quickstep Quickstep allows you to r
Page 149 and 150: Chapter 11 Groups The console allow
Page 151 and 152: Recording a group using Solo You ca
Page 153 and 154: Working with groups in Stage Displa
Page 155 and 156: Updating a recorded group You need
Page 157 and 158: Deleting groups Delete a group from
Page 159 and 160: Modifying cues or submasters You ca
Page 161 and 162: Chapter 12 Focus points When workin
Page 163 and 164: Recording a focus point using Solo
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Updating focus points Update allows
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Editing a focus point in Blind You
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Deleting focus points Delete a focu
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Chapter 13 Submasters Expression 3
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Changing type You can change a subm
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Playback Submaster List The Playbac
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Submaster LEDs Each submaster bump
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Adding fade and dwell times You can
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Adding a rate to a submaster Rate a
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Inhibitive submasters Creating A re
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Modifying submasters in Blind To mo
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Updating a recorded submaster You n
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Labeling submasters The console all
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Copying cues or groups to submaster
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Chapter 14 Command display lists an
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Submaster List The Submaster List o
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7. Press [5] [Enter]. Specifies 5 s
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Deleting a group Follow this proced
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Working in spreadsheets Cues, subma
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Replacing channel level As a conven
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Deleting submasters After entering
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Editing groups You may edit a group
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Editing focus points You may edit a
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Chapter 15 Park Park allows you to
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Unparking dimmers Unparking one dim
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Unparking channels Unparking one ch
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Parking fixtures You can park fixtu
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Chapter 16 Effects An effect is a c
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• Out - The Out Time, the meaning
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Notes on working with steps in Blin
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Adding grouped channels The procedu
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Adding groups or focus points The p
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Modifying the effect You can set ch
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Deleting channels Delete channels f
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Deleting steps You may delete any s
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Modifying step timing and levels On
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Changing upfade, dwell and downfade
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Setting a random effect rate An eff
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Chapter 17 Subroutines A subroutine
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Style steps The following playback
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15. Press [S1], Step, [6] [Enter].
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Chapter 18 Macros A macro allows yo
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6. Press [5] [Enter]. Inserts a fiv
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Follow these steps to create a macr
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Using submasters in macros Submaste
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Modifying macros Editing mode In th
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Auto channel check This macro autom
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Chapter 19 Link lists Console chann
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Setting up a link To set up a link,
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Moving a link Use [S7], Move Link,
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Chapter 20 Diskette functions This
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Contents of the showfile When you w
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Read show components only Frequentl
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Chapter 21 Printing The console sup
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Printouts available Following is a
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Chapter 22 Clear functions This cha
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Clear and reset options Following i
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Chapter 23 Dimmer monitoring ETC co
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Error messages ETCLink provides mes
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ETCLink displays Dimming system sta
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Dimmer status The Dimmer Status dis
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Record Loads procedure Perform a Re
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Clear Loads procedure Clear Loads a
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Working with Sensor backup looks A
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Chapter 24 Control interfaces The c
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ETC MIDI message formats The follow
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MIDI Show Control (MSC) The console
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MSC commands transmitted by the con
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Examples In the examples below, MSC
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Enabling / disabling real time prog
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Referencing sunrise or sunset To re
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Copying real time programs Keystrok
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Keystrokes: Action: 1. Press [Setup
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Time Code You can create and run sh
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Creating a program by definition Us
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Sorting/recording events Events are
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Deleting time code events Follow th
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Moving time code events Follow this
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Or, if you wanted to move ten event
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External time code clock When runni
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Remote macros The remote macro feat
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Chapter 25 Accessories Chapter 25 p
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Designer’s Worksheet Designer’s
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6. To create a new region or to add
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Clearing regions You must be in Des
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Full Tracking Backup Full Tracking
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Moving Lights Module The Moving Lig
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Appendix A Installation This append
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AC Input fuses These fuses are cont
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Understanding ETCNet The console is
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Setting Expression 3 DIP switches A
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Configuring the DMX512 ports Once y
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Mouse or other pointing device Expr
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Installing a printer The console su
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6. Turn on your console or Remote I
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Installing Remote Focus Unit The Re
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MIDI Out/Thru jumper setting You ma
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Wiring remote macros There are thre
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Characteristics of the display The
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Appendix B References DIP switches
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RIU DIP switch and jumper settings
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Remote Video Interface settings The
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Appendix C Error messages Full Trac
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ETCLink errors ETCLink is the commu
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Appendix D Showfile Each showfile s
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Appendix E Softkeys Stage [Stage] S
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Blind/Submaster Sub List Sub SS 1 B
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Setup - System Settings (1) [Setup]
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Setup - Real Time Programs (12) Rea
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Appendix F Time and location United
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Appendix G Specifications Electrica
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• Control keypad features • Sub
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Profile functions • Profiles may
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Appendix H Declaration of Conformit
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Appendix I Limited Warranty Electro
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and one-half percent) per month lat
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Index Numerics 16-bit About Channel
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Delete Cues . . . . . . . . . . . .
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Category. . . . . . . . . . . . . .
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Macros, Designer’s Worksheet Clea
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Remote dimmer, patching . . . . . .
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Fixture . . . . . . . . . . . . . .
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Expression 3 - ETC

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